Results 71 to 80 of about 388,275 (287)
“Some like it hot”:spectators who score high on the personality trait openness enjoy the excitement of hearing dancers breathing without music [PDF]
, 2014 Music is an integral part of dance. Over the last 10 years, however, dance stimuli (without music) have been repeatedly used to study action observation processes, increasing our understanding of the influence of observer’s physical abilities on action ...
Calvo-Merino, Beatriz +2 more
core +4 more sources
Acting authentically: Using play to cultivate authentic interrelating in role performance
Journal of Organizational Behavior, EarlyView.Summary Research is increasingly demonstrating that authenticity and human connection are fundamental and interrelated human needs. However, organizational roles often constrain authenticity and connection in workplace interactions, especially roles that are highly scripted.
Lyndon E. Garrett
wiley +1 more source
WhoLoDancE:Whole-body Interaction Learning for Dance Education [PDF]
, 2018 Dance resides among the most ancestral forms of art, representing a major asset of the human intangible cultural heritage playing, at the same time, a primary role in contemporary artistic creation.
Buccoli, Michele +15 more
core +1 more source
The Journal of Humanistic Counseling, EarlyView.ABSTRACT This article investigates the application of Sanford Meisner's pedagogical methodology for actors in the professional training of psychotherapists and counselors, with a specific focus on the role of repetition exercises within Meisner's system and their potential to enhance the competencies of gestalt therapists, psychotherapists, and ...
Tomáš Andrášik +1 more
wiley +1 more source
Cahiers d’Études Germaniques, 2020 Since modernity, time –different temporalities and rhythms– has become an important theme in dance: experiences of time in the body as well as figures of time in the choreography have been renegotiated.
Gabriele Brandstetter, Anna Huber
doaj +1 more source
Contemporary Dance as Modernist Art
Roczniki Kulturoznawcze, 2021 Taniec współczesny jako sztuka modernistyczna Taniec ma bardzo szerokie spektrum stylów i zastosowań. W tym artykule traktuję taniec jako rodzaj performansu artystycznego, który wykorzystuje ciało jako charakterystyczne medium. Skupiam się na tym, które gatunki taneczne najlepiej realizują ambicję traktowania ciała jako jego centralnego medium.
openaire +2 more sources
GENESIS OF MODERN DANCE: HISTORY, FEATURES AND REPRESENTATIVES [PDF]
, 2017 The article analyzes the genesis of modern dance, specifies the features of the style of modern dance, and specifies the specific characteristics of modern dance. Specific features of modern dance as a ballet style of the twentieth century are described.
Yunanova, Lyudmila
core +1 more source
The Journal of Humanistic Counseling, EarlyView.ABSTRACT This article explores obsessive–compulsive disorder (OCD) through the framework of Gestalt therapy, specifically the “dance of reciprocity” model. It integrates phenomenological, aesthetic, and field‐oriented perspectives. Informed by research on attachment styles and emotional processes in OCD, it provides a developmentally and relationally ...
Margherita Spagnuolo Lobb +2 more
wiley +1 more source
DANÇA IMPROVISAÇÃO, UMA RELAÇÃO A SER TRILHADA COM O LÚDICO
Motrivivência, 2004 In Contemporary Dance, improvisation is an available and an important resource in teaching. It is a time for dance, reflection and composition. The main purpose ot this qualitative study was to analyze the possibilities for a critical and creative dance ...
Ana Maria Alonso Krischke +1 more
doaj +1 more source
A Relational View of Uncertainty
Strategic Change, EarlyView.ABSTRACT There is significant confusion and debate in entrepreneurship and strategy research about the nature and locus of uncertainty. Does uncertainty reside internally in the agent or externally in the environment? This article introduces a relational view of uncertainty (RVU) to help reframe this issue.
Daniel Leunbach
wiley +1 more source