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Contemporary Composers on Contemporary Music
Notes, 1968Peter S. Hansen +2 more
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‘Authenticity’ in Contemporary Music
Tempo, 1986It used to be said that we study history for the lessons we can learn for the present: ‘plus ça change, plus c'est la même chose’. But now that the music of the past occupies the centre-stage—with contemporary work getting the walk-on parts—perhaps we should reverse this, and ask how far the past can be illuminated by what happens today.
openaire +1 more source
Contemporary Music and Music Cultures
Journal of Research in Music Education, 1975openaire +2 more sources
Contemporary musical virtuosities
2023Louise Devenish, Cat Hope, Sam McAuliffe
openaire +2 more sources
Memory as the Aspatial Domain for the Perception of Certain Genres of Contemporary Art Music
Music & Science, 2021Riccardo Wanke
exaly

