Results 181 to 190 of about 1,879,485 (252)

Increasing Musical Persistence and Engagement in the Contemporary Music Classroom

Music Educators Journal
With many activities vying for students’ time and attention, helping young musicians achieve their potential while inspiring them to continue engaging with music throughout their lifetime is a vital part of the music educator’s role.
Matthew D. Schatt
semanticscholar   +1 more source

Contemporary Music and the Music Educator

Music Educators Journal, 1965
contemporary music?" This was the one question heard most often during the summer of 1964 at the MENC Contemporary Music Project seminar at Tanglewood, Massachusetts. After four weeks in what seemed to be a new world for most of us, we "seminarians" began to realize the importance of contemporary music and the magnitude of the task of making this music
openaire   +1 more source

Tastes of our time: analysing age cohort effects in the contemporary distribution of music tastes

, 2020
This article explores the relationship between age cohorts and music taste. Drawing on quantitative data about the contemporary distribution of French music tastes, we note that a large majority of individuals are eclectic.
Hervé Glevarec, Raphaël Nowak, Dominique Mahut   +2 more
semanticscholar   +1 more source

A contemporary cultural policy for contemporary music?

Media International Australia, 2016
Creative Nation confirmed the shift by federal governments to viewing popular music as part of the Australian cultural economy, where the ‘contemporary music’ industries were expected to contribute to economic growth as much as providing a set of creative practices for musicians and audiences.
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Sexism and Power Play in the Nigerian Contemporary Hip Hop Culture: The Music of Wizkid

, 2020
The proliferation of hip hop culture in Nigeria today is a trend which occurs as a result of adoption, adaptation and popularization of American hip hop music.
S. Eze
semanticscholar   +1 more source

Music acoustics and contemporary musical composition

The Journal of the Acoustical Society of America, 1999
Although it may seem that in the past musical composition got by well without specific knowledge of music acoustics, in fact the acoustical knowledge of each epoch has always determined the representational framework within which the composer formulates his ideas.
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Singing the Congregation: How Contemporary Worship Music Forms Evangelical Community

Journal of Contemporary Religion, 2018
Singing the Congregation examines how contemporary worship music shapes the way evangelical Christians understand worship and argues that participatory worship-music performances have brought into being new religious social constellations (“modes of ...
Sandra Brower
semanticscholar   +1 more source

Glocalisation of Nigerian contemporary hip hop music

, 2020
This paper discusses the glocal trends in Nigerian hip hop music production in the age of digital communication technology. The concept of music glocalisation explains the local consciousness in music production, dissemination and consumption amid the ...
S. Eze
semanticscholar   +1 more source

The Musicality of the Voice in Contemporary Television [PDF]

This chapter proposes a framework for exploring the musicality of the voice in contemporary television. By rising to a challenge set by Claudia Gorbman and further developing Danijela Kulezic-Wilson’s investigation of the musicalisation of speech, a variety of computational tools will be used to analyse musical features such as timbre, pitch, rhythm ...
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Contemporary Composers on Contemporary Music

Notes, 1968
Peter S. Hansen, Elliott Schwartz, Barney Childs   +2 more
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