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Contemporary Art and the Problem of Music: Towards a Musical Contemporary Art
Twentieth-Century Music, 2021AbstractThis article elaborates the art-theoretical concept of ‘the contemporary’ along with formal differences between contemporary music and contemporary art. Contemporary art emerges from the radical transformations of the historical avant-garde and neo-avant-garde that have led to post-conceptual art – a generic art beyond specific mediums that ...
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Contemporary Music and the Music Educator
Music Educators Journal, 1965contemporary music?" This was the one question heard most often during the summer of 1964 at the MENC Contemporary Music Project seminar at Tanglewood, Massachusetts. After four weeks in what seemed to be a new world for most of us, we "seminarians" began to realize the importance of contemporary music and the magnitude of the task of making this music
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A contemporary cultural policy for contemporary music?
Media International Australia, 2016Creative Nation confirmed the shift by federal governments to viewing popular music as part of the Australian cultural economy, where the ‘contemporary music’ industries were expected to contribute to economic growth as much as providing a set of creative practices for musicians and audiences.
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Music acoustics and contemporary musical composition
The Journal of the Acoustical Society of America, 1999Although it may seem that in the past musical composition got by well without specific knowledge of music acoustics, in fact the acoustical knowledge of each epoch has always determined the representational framework within which the composer formulates his ideas.
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The Musicality of the Voice in Contemporary Television [PDF]
This chapter proposes a framework for exploring the musicality of the voice in contemporary television. By rising to a challenge set by Claudia Gorbman and further developing Danijela Kulezic-Wilson’s investigation of the musicalisation of speech, a variety of computational tools will be used to analyse musical features such as timbre, pitch, rhythm ...
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‘Authenticity’ in Contemporary Music
Tempo, 1986It used to be said that we study history for the lessons we can learn for the present: ‘plus ça change, plus c'est la même chose’. But now that the music of the past occupies the centre-stage—with contemporary work getting the walk-on parts—perhaps we should reverse this, and ask how far the past can be illuminated by what happens today.
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2020
This book explores the growing phenomenon of music tourism – instances of people visiting places because of a connection with music. Asking how an abstract art form such as music can lead to tourism and how the popularity of music tourism in contemporary culture might be explained, it presents a comparative study of musical tourism in various locations
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This book explores the growing phenomenon of music tourism – instances of people visiting places because of a connection with music. Asking how an abstract art form such as music can lead to tourism and how the popularity of music tourism in contemporary culture might be explained, it presents a comparative study of musical tourism in various locations
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Contemporary Composers on Contemporary Music
Notes, 1968Peter S. Hansen +2 more
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