Results 1 to 10 of about 1,252 (109)
Contemporary theatre in the Philippines
Mimesis Journal, 2013 The Filipino contemporary culture (in this case also theatre) can be seen as a great example for anyone who would like to speak about the postcolonial identity of the nation. The Philippines – because of the difficult and complex history of the country –
Maria Delimata
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This open access book is a new survey of theatre practices in Ireland from 1957 to the present. Part I: Histories, situates the theatrical activity of twentieth and twenty-first century Ireland within its social and political contexts, identifies key practitioners, landmark productions, institutions, festivals, and seminal revivals.
McIvor, Charlotte, Walsh, Ian R.
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ABEI Journal, 2023 Solo performance is a theatrical form which has been increasingly popular in contemporary Irish theatre with the rise of individualism. This paper takes the works of two representative solo performers in contemporary Irish theatre, Pat Kinevane and Panti
Zixin Huang
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Studien zur Deutschen Sprache und Literatur, 2023 Conventional Western theatre is based on the Aristotelian notion of presence. Contemporary theatre, however, proposes an aesthetic of absence. Its orientation differs from the notion of presence found in text-centred Western theatre. This aesthetic model,
Melike Saba Akım
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Amfiteater, 2022 To capture the dramatic situation in/of the contemporary drama theatre in Macedonia, I will try to draw certain characteristics of the state of the theatre by referring to several political and social conditions with us, that erode the spirit and matter ...
Ivana Apostolova Baskar
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War and Contemporary Georgian Theatre
Arts, 2023 How is war and its consequences reflected in the theatre? How, in particular, has the Georgian theatre reacted to war, and to what degree does its presence impact Georgian theatre directors and audiences?
Lasha Chkhartishvili
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How Can We Interpret the 21st-Century (No Longer) Dramatic Texts and Theatre in Art and Theory?
Amfiteater, 2020 The essay analyses the corpora of the dramatic or non-dramatic texts of contemporary authors (Simona Semenič, Milena Marković, Tim Crouch, Oliver Frljić, Katarina Morano and Žiga Divjak, Anja Hilling, Wajdi Mouawad, Dino Pešut and She She Pop) as a ...
Tomaž Toporišič
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Russian Theatre in Italy: Thirty Years without an Antrakt?
Studi Slavistici, 2023 The contribution provides a survey of theatre studies and the reception of Russian theatre in Italy, assessing how attention to this matter has changed in the last thirty years (1991-2021).
Claudia Olivieri
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Contemporary Theatre and the Experiential [PDF]
The International Journal of the Arts in Society: Annual Review, 2010 In the context of the blurring of boundaries between club and theatre, game and theatre, and party and theatre, experiential spectatorship is spilling into the mainstream. This article starts from the recognition of the rapid rise of the experience economy as a turning point in consumer culture towards a specific appeal to the sensory body.
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Expressional Bipolarity of Theatre
Slovenské divadlo, 2018 The author contemplates expressional bipolarity of contemporary art of theatre. He is personally interested in whether theatre has yet a chance to purify spectators. He explores theatre in terms of reception, and also focuses on the methods of addressing
Ballay Miroslav
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