Results 1 to 10 of about 21,382 (269)

Community With Shared Differences: Solo Performance in Pat Kinevane’s Silent and Panti’s A Woman in Progress

ABEI Journal, 2023
Solo performance is a theatrical form which has been increasingly popular in contemporary Irish theatre with the rise of individualism. This paper takes the works of two representative solo performers in contemporary Irish theatre, Pat Kinevane and Panti
Zixin Huang
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At the Edge of Presence and Absence in an Uncanny Valley: On Rimini Protokoll’s Unheimliches Tal / Uncanny Valley

Studien zur Deutschen Sprache und Literatur, 2023
Conventional Western theatre is based on the Aristotelian notion of presence. Contemporary theatre, however, proposes an aesthetic of absence. Its orientation differs from the notion of presence found in text-centred Western theatre. This aesthetic model,
Melike Saba Akım
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Theatre Control Policy or Why After Goran Stefanovski and Dejan Dukovski, No One Is Known Outside the Borders of the Macedonian Theatre? (2010–2021)

Amfiteater, 2022
To capture the dramatic situation in/of the contemporary drama theatre in Macedonia, I will try to draw certain characteristics of the state of the theatre by referring to several political and social conditions with us, that erode the spirit and matter ...
Ivana Apostolova Baskar
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Russian Theatre in Italy: Thirty Years without an Antrakt?

Studi Slavistici, 2023
The contribution provides a survey of theatre studies and the reception of Russian theatre in Italy, assessing how attention to this matter has changed in the last thirty years (1991-2021).
Claudia Olivieri
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How Can We Interpret the 21st-Century (No Longer) Dramatic Texts and Theatre in Art and Theory?

Amfiteater, 2020
The essay analyses the corpora of the dramatic or non-dramatic texts of contemporary authors (Simona Semenič, Milena Marković, Tim Crouch, Oliver Frljić, Katarina Morano and Žiga Divjak, Anja Hilling, Wajdi Mouawad, Dino Pešut and She She Pop) as a ...
Tomaž Toporišič
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War and Contemporary Georgian Theatre

Arts, 2023
How is war and its consequences reflected in the theatre? How, in particular, has the Georgian theatre reacted to war, and to what degree does its presence impact Georgian theatre directors and audiences?
Lasha Chkhartishvili
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Expressional Bipolarity of Theatre

Slovenské divadlo, 2018
The author contemplates expressional bipolarity of contemporary art of theatre. He is personally interested in whether theatre has yet a chance to purify spectators. He explores theatre in terms of reception, and also focuses on the methods of addressing
Ballay Miroslav
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Postmedia w mediach: przypadek teatru

Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura, 2020
The paper is devoted to the presence of postmedia in contemporary theatre performances. The author uses the category of the so-called post-theatre.
Marek Pieniążek
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Homage to Hans-Thies Lehmann

CoSMO, 2022
Upon his recent death, this article revisits the major contributions of Dr. Hans-Thies Lehmann to contemporary debates on theatre aesthetics. Lehmann’s concept of a postdramatic theatre—that is, a theatre that has moved beyond the central importance of ...
Joseph Cermatori
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Transformations of Contemporary Theatre Practices. A Reflection on the Creative Process as Research

Slovenské divadlo, 2017
The study offers an outline of certain modifications of contemporary Slovak theatre culture under the influence of ongoing socio-cultural changes.
Ballay Miroslav
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