Results 91 to 100 of about 21,382 (269)

ROMAN THEATRE AND ITS INTERCULTURAL SIGNIFICANCE [PDF]

Social Sciences and Education Research Review
A model of universal dramaturgy, the Roman theatre goes beyond time and reaches the contemporary, always proving its intercultural values. Because there are amazing intercultural connections between antiquity and modernity.
Alexandra IORGULESCU, Mihaela MARCU
doaj   +1 more source

The Not‐So‐Neue Frau: Weimar Berlin's Modern Women and Generational Identity After 1945

Gender &History, EarlyView.
ABSTRACT This article studies the post‐1945 literary careers of Gabriele Tergit and Ilse Langner, two ageing German writers. Both had enjoyed promising careers as young women in Weimar Berlin, but Nazism and war disrupted their professional trajectories in varying ways. After 1945, they tried and failed to recapture their Weimar‐era success, eventually
Katharina Friege
wiley   +1 more source

A STUDY OF THE USE OF ORGANISATIONAL THEATRE: THE CASE OF FORUM THEATRE [PDF]

, 2011
The use of theatre- and drama-based techniques in organisations for supporting learning, development and change in organisations has been a growing phenomenon over the past fifteen years.
Rae, Janet Elizabeth, RAE, JANET,ELIZABETH   +1 more
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What’s in a name? The sense or non-sense of labelling puppets in contemporary Western theatre

Cogent Arts & Humanities, 2014
Different terms can be use for puppet theatre: figure theatre, object theatre and animation theatre. Contemporary performances including puppets are nowadays often referred to as multimedia performances, crossover theatre and visual theatre. Some artists
Marie Kruger
doaj   +1 more source

‘Fine Men from Afar’: Cricket and Empire on the Home Front

History, EarlyView.
Abstract During the Second World War, contrary to enduring images of bombardment and scarcity, people on Britain's ‘Home Front’ continued to take part in a broad array of sporting activities. Cricket played a more significant role in the wartime sporting landscape than many historians have previously recognized.
Michael Collins
wiley   +1 more source

Verse in contemporary Irish theatre

, 2018
The chapter looks at a renewed interest in verse in twenty-first century Irish theatre. Through text and performance analysis, it examines how theatremakers in Ireland have explored the potential of verse, and forms of communication that approximate the ...
Lech, K.
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A scenographer's perspective on Arabic theatre and Arab-Muslim identity [PDF]

, 2007
This study explores the issue of Arab-Muslim identity from the viewpoint of a Kuwaiti visual artist and scenographer who is also an academic and teacher.
Alhajri, Khalifah Rashed
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State of the Field: Royal Studies and Court Studies

History, EarlyView.
Abstract Monarchy, as the world's oldest and most enduring form of political organization, is an area that has attracted the attention of scholars from a range of disciplines. Two connected and complementary fields embody this interdisciplinary study of monarchy and monarchies: royal studies, which takes an all‐encompassing approach to monarchy, and ...
Jonathan Spangler, Elena Woodacre
wiley   +1 more source

The Contemporary Ensemble: Interviews with Theatre-Makers

, 2013
Questions of ensemble – what it is, how it works – are both inherent to a variety of Western theatre traditions, and re-emerging and evolving in striking new ways in the twenty-first century.
Radosavljevic, Duska
core  

The "theatre-in-museum" movement in the British Isles [PDF]

, 1998
Throughout the 1980's and early 1990's, it became increasingly apparent to interested observers that there was a growing trend towards using theatre in museum settings.
Ford, Christopher Martin, Ford, C.M.
core