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Efficacy and Safety of Electroacupuncture for Postoperative Insomnia in Patients With Spinal Metastasis: Protocol of a Prospective, Multicenter, Randomized Controlled Study. [PDF]
Jiang C +7 more
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Old lessons for new science: How sacred-tree metaphors can inform studies of the public-health benefits of the natural environment. [PDF]
Donovan GH +3 more
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Religious moderation in Instagram: An Islamic interpretation perspective. [PDF]
Hadiyanto A, Putri KYS, Fazli L.
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The Reformation of Worship: III. The Direction of Contemporary Worship
Scottish Journal of Theology, 1955This title is deliberately ambiguous. The word ‘direction’ X covers both the trend of modern worship and its leadership or conduct. In the light of our understanding of the nature of Christian worship and of its tradition we must ask both: Where are we going? What movement, if any, is discernible in the pattern of public worship in this generation? and
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Voice in Worship: The Contemporary Worship Singer
2014Who is the Contemporary Worship Singer? In the past church singers have either been thought of as choristers or as a soloists but recent developments in Christian worship have seen vocal leadership of congregational singing evolve. Historically founded in the emotive hymnody of the Holiness movement (c.a.
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Ancestor Worship in Contemporary Japan
Pacific Affairs, 1975Wilbur M. Fridell, Robert J. Smith
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Soundscape and worship experience of contemporary worship music: A case study in Malaysia
The Journal of the Acoustical Society of AmericaThis study investigated sound levels and congregants' experiences of contemporary worship music (CWM) with a sound reinforcement system in a church in Malaysia using convergent mixed methods. The methods involved sound level measurements of 4 music worship sessions, a questionnaire with 86 respondents, and semi-structured interviews with 8 informants ...
Reece S. Puay +3 more
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Race, Religion, and Worship: Are Contemporary African‐American Worship Practices Distinct?
Journal for the Scientific Study of Religion, 2009Drawing upon the cultural repertoire and religious marketplace perspectives, this study examines the extent to which ecstatic, participatory worship practices are distinctive to African‐American congregations and explores the role that ecstatic, participatory worship plays in contemporary African‐American worship.
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