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Ancestor Worship in Contemporary Japan : Continuity and Change

Ancestor Worship in Contemporary Japan : Continuity and Change
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Contemporary Worship Music at Seigakuin : An American's　Perspective

Contemporary Worship Music at Seigakuin : An American's　Perspective
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Voice in Worship: The Contemporary Worship Singer

2014
Who is the Contemporary Worship Singer? In the past church singers have either been thought of as choristers or as a soloists but recent developments in Christian worship have seen vocal leadership of congregational singing evolve. Historically founded in the emotive hymnody of the Holiness movement (c.a.
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Ancestor Worship in Contemporary Japan.

Pacific Affairs, 1975
Cyril Powles, Robert J. Smith
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Acoustical design issues for contemporary places of worship

The Journal of the Acoustical Society of America, 2006
This presentation intends to discuss the acoustical design of contemporary places of worship in the range of 500 to 3000 seats. The wide variety of programming requirements, concurrent uses, space constraints, and undesirable adjacencies in contemporary churches can be a similar challenge to many performing arts spaces.
Jason R. Duty, David R. Schwind
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Race, Religion, and Worship: Are Contemporary African‐American Worship Practices Distinct?

Journal for the Scientific Study of Religion, 2009
Drawing upon the cultural repertoire and religious marketplace perspectives, this study examines the extent to which ecstatic, participatory worship practices are distinctive to African‐American congregations and explores the role that ecstatic, participatory worship plays in contemporary African‐American worship.
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The Reformation of Worship: III. The Direction of Contemporary Worship

Scottish Journal of Theology, 1955
This title is deliberately ambiguous. The word ‘direction’ X covers both the trend of modern worship and its leadership or conduct. In the light of our understanding of the nature of Christian worship and of its tradition we must ask both: Where are we going? What movement, if any, is discernible in the pattern of public worship in this generation? and
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Acoustical design strategies for contemporary music in worship

The Journal of the Acoustical Society of America, 2007
Historically, acoustical design for traditional worship music has sought to naturally reinforce instruments and vocalists by carefully exploiting room reflections. However, the advent of ‘‘contemporary’’ worship and the widespread use of reinforced music have paralleled a clear change in the architecture, seating capacity, and expected acoustical ...
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Soundscape and worship experience of contemporary worship music: A case study in Malaysia

The Journal of the Acoustical Society of America
This study investigated sound levels and congregants' experiences of contemporary worship music (CWM) with a sound reinforcement system in a church in Malaysia using convergent mixed methods. The methods involved sound level measurements of 4 music worship sessions, a questionnaire with 86 respondents, and semi-structured interviews with 8 informants ...
Reece S. Puay, Bhan Lam, Andrew Mitchell, Julia Chieng   +3 more
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