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MONASTIC HEADDRESSES IN COPTIC ART: QASLAH OR QALANSUWA”? AN ICONOGRAPHICAL STUDY ON COPTIC ARTIFACTS FROM THE 10TH TILL THE 18TH CENTURY [PDF]

open access: yesMaǧallaẗ Kulliyyaẗ Al-Sīyāḥaẗ wa Al-Fanādiq (Ǧāmiʿaẗ Al-Mansoura), 2022
Monastic vestment composes a fundamental and crucial part of Coptic heritage. It distinguishes the monastic life and form a distinctive image of the new monk.
Radwa Mahmoud Mostafa
doaj   +3 more sources

Christian art and architecture: Do they stride hand in hand? Catholic Europe versus Coptic Orthodox Egypt

open access: yesAlexandria Engineering Journal, 2023
Amidst the growth and development of different civilizations, art and architecture progressed simultaneously, shaping one another. At many times they advanced analogously.
Marianne Nabil Guirguis
doaj   +3 more sources

Partner Disclosure and Early CD4 Response among HIV-Infected Adults Initiating Antiretroviral Treatment in Nairobi Kenya. [PDF]

open access: yesPLoS ONE, 2016
BackgroundDisclosure of HIV serostatus can have significant benefits for people living with HIV/AIDS. However, there is limited data on whether partner disclosure influences ART treatment response.MethodsWe conducted a retrospective cohort study of newly
T Tony Trinh   +8 more
doaj   +2 more sources

Caps and Identity: Origin and Interpretation of Phrygian Caps in Coptic Art [PDF]

open access: yesInternational Journal of Tourism and Hospitality Management, 2022
Different headdresses are introduced in Coptic art, among them; the Phrygian cap. It is a non-religious cap in Christianity. It's rarely depicted on Coptic art, but it had its origin in Sasanian, Greek, and Roman arts.
Ahmad Khalaf
doaj   +1 more source

The symbolism of the pigeon in Coptic art and its reflection in heritage [PDF]

open access: yesالمجلة العلمیة لکلیة السیاحة والفنادق جامعة الأسکندریة, 2023
In Recent years, the heritage has witnessed broad interest, that led us to illuminate the symbolism of the pigeon in Coptic art and its reflection in heritage”.
Youstina Sobhy Naguib Saeed   +3 more
doaj   +1 more source

The visual Artistic vision of the Prophet Moses story in the Islamic manuscripts Art from the 7th to 11th centuries AH / 13-17 AD [PDF]

open access: yesMaǧallaẗ Al-Turāṯ wa Al-Taṣmīm, 2022
In our study of the art of manuscript illustrations, we note the multiplicity of aspects of the illustrated subjects, there are scientific, literary, historical and religious subjects.
Hany Mohamed Mohamed Sabry   +1 more
doaj   +1 more source

The story of Moses and its Artistic style method in the European Manuscripts painting from 13th – 17th A.D [PDF]

open access: yesMaǧallaẗ Al-Turāṯ wa Al-Taṣmīm, 2021
The art of manuscript illustrations, especially depicting religious subjects, is one of the important arts in Christian Europe due to the use of illustrative art for books as an educational and guiding art used in religious rituals and rituals, whether ...
Hany Mohamed Mohamed Sabry   +1 more
doaj   +1 more source

A New Vision of the Pluralism of the Symbol's Meaning in Coptic Christian Art (An Analytical Artistic Study Applied to Selected Models) [PDF]

open access: yesLuxor International Journal of Archaeological Studies, 2023
Coptic Christian art drew upon a collection of symbols sourced from its predecessors and contemporary artistic expressions, as well as from the surrounding environment and biblical texts. One of its defining characteristics is symbolic art, characterized
Essam Adam
doaj   +1 more source

Liturgical Foods and Dietary Habits in Coptic Orthodox Christianity: History and Meaning [PDF]

open access: yesالمجلة العلمیة لکلیة السیاحة والفنادق جامعة الأسکندریة, 2022
In Coptic Christianity, there are some kinds of food connected to different Coptic liturgical occasions and other traditional feasts specified in Coptic Calendar.
Rehab Sharafeldean
doaj   +1 more source

The Influence and Semantics of using Animals and Birds Symbols in Greek, Roman and Coptic Art [PDF]

open access: yesMaǧallaẗ Kulliyyaẗ Al-Sīyāḥaẗ wa Al-Fanādiq (Ǧāmiʿaẗ Al-Mansoura), 2022
The symbol comes from the joint role of the artist’s imagination and perceived reality and animals are one of the most conspicuous features of Egyptian art.
Doaa Ragab Fadel
doaj   +1 more source

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