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Debating critical costume: negotiating ideologies of appearance, performance and disciplinarity [PDF]
In this article, I present an argument for a proposed focus of ‘critical costume’. Critical Costume, as a research platform, was founded in 2013 to promote new debate and scholarship on the status of costume in contemporary art and culture.
Rachel Hann
exaly +4 more sources
Costume Characteristics of Children Creation Dance in Kindergarten at Buleleng Bali [PDF]
Study related to characteristics of costumes worn in Children Creation Dance in kindergarten at Buleleng, Bali is aiming at (1) understanding the characteristics of children creation dance costume in kindergarten at Buleleng, Bali, (2) understanding the ...
Langen Bronto Sutrisno +2 more
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Virtual simulation of Yue Opera costumes and fashion design based on Yue Opera elements [PDF]
Yue Opera is known as the second most important national opera in China. The costume is an important part of the performance of Yue Opera, which carries the culture and history of Yue Opera. The purpose of this paper is to attempt a virtual simulation of
Kaixuan Liu +3 more
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Costume, performance, and society: Engaging in a dialogue [PDF]
Bearing in mind the potential of costume to construct and actively create meanings and to initiate, shape, and define a performance, the paper examines the nature and role of performance costume in projects and performances of several important Croatian ...
Petranović Martina
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The Application and Analysis of Opera Costume Elements in the Modern Costume Design [PDF]
This paper analyzes the application of opera costume elements in modern costume design, combines with the application of ideas in the paper, and applies opera costume elements to modern costume.
Zhang Jinbin
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The application of plant dyes in the textile industry has been very limited due to their limited sources, incomplete color space, and narrow color gamut, etc.
Xinyu Ji +4 more
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Pseudartabas and his Attire (Aristophanes “Acharnians” 94–97 [PDF]
The article is devoted to the interpretation of the passage from Aristophanes’ “Acharnians” (94–97), in which Dikeopolis expresses his feelings caused by the appearance of the Persian ambassador Pseudartabas in a strange Persian costume. According to the
Boris M. Nikolsky
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Folk costume as theatrical costume
This essay introduces an unpublished talk by Greek stage designer Ioanna Papantoniou (born 1936) entitled ‘Local costume in a theatrical performance’, originally presented at the First Panhellenic Meeting of Ephors (Curators) and Dance Teachers at the Lyceum Club of Greek Women in Athens, in November 1990. Prior to and alongside her professional design
Papantoniou, Ioanna, Pantouvaki, Sofia
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The Noble Nest by I. S. Turgenev: Poetics of Costume [PDF]
The costume which has recently become the focus of many scientific disciplines has hardly attracted literary critics: the methodology of its research in fiction is just beginning to take shape.
Galina P. Kozubovskaya
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A Study of Designs, Symbols and Their Roots in Kerman’s Contemporary Patehs [PDF]
Pateh is a kind of needlework in Kerman province. Pate-Doozi is the burnish of the religious and cultural beliefs of people of Kerman while protecting its artistic and symbolic values.
F. Talebpour, Najmeh Jafari Rad
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