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Debating critical costume: negotiating ideologies of appearance, performance and disciplinarity [PDF]
Studies in Theatre and Performance, 2019 In this article, I present an argument for a proposed focus of ‘critical costume’. Critical Costume, as a research platform, was founded in 2013 to promote new debate and scholarship on the status of costume in contemporary art and culture.
Rachel Hann
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Costume Characteristics of Children Creation Dance in Kindergarten at Buleleng Bali [PDF]
Harmonia: Journal of Arts Research and Education, 2015 Study related to characteristics of costumes worn in Children Creation Dance in kindergarten at Buleleng, Bali is aiming at (1) understanding the characteristics of children creation dance costume in kindergarten at Buleleng, Bali, (2) understanding the ...
Langen Bronto Sutrisno +2 more
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The Application and Analysis of Opera Costume Elements in the Modern Costume Design [PDF]
E3S Web of Conferences, 2021 This paper analyzes the application of opera costume elements in modern costume design, combines with the application of ideas in the paper, and applies opera costume elements to modern costume.
Zhang Jinbin
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Costume, performance, and society: Engaging in a dialogue [PDF]
Zbornik Radova Akademije Umetnosti, 2022 Bearing in mind the potential of costume to construct and actively create meanings and to initiate, shape, and define a performance, the paper examines the nature and role of performance costume in projects and performances of several important Croatian ...
Petranović Martina
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Molecules, 2023 The application of plant dyes in the textile industry has been very limited due to their limited sources, incomplete color space, and narrow color gamut, etc.
Xinyu Ji +4 more
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Folk costume as theatrical costume
Studies in Costume & Performance, 2022 This essay introduces an unpublished talk by Greek stage designer Ioanna Papantoniou (born 1936) entitled ‘Local costume in a theatrical performance’, originally presented at the First Panhellenic Meeting of Ephors (Curators) and Dance Teachers at the Lyceum Club of Greek Women in Athens, in November 1990. Prior to and alongside her professional design
Papantoniou, Ioanna, Pantouvaki, Sofia
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Pseudartabas and his Attire (Aristophanes “Acharnians” 94–97 [PDF]
Studia Litterarum, 2022 The article is devoted to the interpretation of the passage from Aristophanes’ “Acharnians” (94–97), in which Dikeopolis expresses his feelings caused by the appearance of the Persian ambassador Pseudartabas in a strange Persian costume. According to the
Boris M. Nikolsky
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Context for costumes: faceted access to historic costumes [PDF]
Electronic Workshops in Computing, 2010 Historic costumes, like many other kinds of museum objects, benefit from remote access to imagery: they are fragile, widely scattered, and of interest to scholars who may not find it easy to visit every possible repository. Cataloguing them involves multiple facets.
Arden Kirkland +2 more
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The Noble Nest by I. S. Turgenev: Poetics of Costume [PDF]
Гуманитарный вектор, 2021 The costume which has recently become the focus of many scientific disciplines has hardly attracted literary critics: the methodology of its research in fiction is just beginning to take shape.
Galina P. Kozubovskaya
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A Study of Designs, Symbols and Their Roots in Kerman’s Contemporary Patehs [PDF]
Jilvah-i hunar, 2018 Pateh is a kind of needlework in Kerman province. Pate-Doozi is the burnish of the religious and cultural beliefs of people of Kerman while protecting its artistic and symbolic values.
F. Talebpour, Najmeh Jafari Rad
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