Results 91 to 100 of about 388,513 (253)

Nel piccolo schermo il paese reale: Avanzi e il dibattito sulla tv spazzatura

Diacronie. Studi di Storia Contemporanea, 2022
In the 1992 crisis, television played a central role, mirroring reality through its distorting lens and at the same time affecting it through specific narratives.
Mariangela PALMIERI
doaj  

Do you recognise this costume? [PDF]

, 2008
This illustrated article disusses a English mummers' costume, bearing the date 1829, that recently turned up at an antiques gallery in New York. Although the provenance is unknown, it is similar to the costumes of the clowns who accompanied swords ...
Millington, Peter
core  

Festival Space: gender, liminality and the carnivalesque [PDF]

, 2015
Purpose - Contemporary outdoor rock and popular music festivals offer liminal spaces in which event participants can experience characteristics associated with the carnivalesque.
Pielichaty, Hanya
core   +1 more source

Queer Aesthetics, Straight Markets: Disneyfication in the Korean Musical Dorian Gray: A New Musical (2016)

The Journal of Popular Culture, EarlyView.
ABSTRACT Oscar Wilde's The Picture of Dorian Gray (1890) has generated a long afterlife across global media, extending from literature to theater, film, and fandom. Its Korean musical adaptation, Dorian Gray: A New Musical (2016), illustrates how queer aesthetics are reconfigured under the logics of commercial entertainment and cultural export.
Di Cotofan Wu
wiley   +1 more source

Seeing Through Costume [PDF]

Actes des congrès de la Société française Shakespeare, 2008
Les deguisements dans le theâtre elisabethain sont toujours censes etre impenetrables, cachant effectivement le moi, tandis que le costume est fait pour parer le moi, pour le rendre plus immediatement reconnaissable. Ces deux concepts sont des elements essentiels du theâtre, bien que le costume, en tant que caracteristique qui definit presque tout role
openaire   +1 more source

Costume Design for \u3cem\u3eVolpone\u3c/em\u3e by Ben Jonson [PDF]

, 2017
This poster presentation provides information about my final design for the Linfield College Theatre Program’s Costume Design course taught by Laurel Peterson during the 2016 fall semester.
Olson, Rosalie S.
core   +1 more source

Between and Beyond: Negotiating Belonging Within Queer Borderlands

Nations and Nationalism, EarlyView.
ABSTRACT Belonging is an affective, social and biopolitical phenomenon which is relationally negotiated and which produces material and symbolic ‘borders’. Subsequently, the politics of belonging refers to the construction, maintenance and policing of the borders of belonging.
Meg Poff
wiley   +1 more source

The history of formation of the Tatar collection at the Kostroma Museum-Reserve: ethnographic and artistic aspects

Историческая этнология
Representatives of the Tatar ethnic group have been living in the Kostroma region since the 17th century. According to the documents of the Razryadnyy Prikaz, the Tatar Suburban settlement was founded in 1680 in the suburbs of Kostroma, across the ...
Natalia V. Andrianova
doaj   +1 more source

Behind the Seams: An Ethnographic Study of the Performative Nature of Theatrical Costumes

, 2012
Actors are said to bring a play to life, but what about the garments that they wear? Like set production, light design, and direction, the role of the costume plays an important part in informing and enchanting the audience. However, this is not all that
Lindholm, Emily M.
core  

Spartan Daily October 30, 2012 [PDF]

, 2012
Volume 139, Issue 33https://scholarworks.sjsu.edu/spartandaily/1349/thumbnail ...
San Jose State University, School of Journalism and Mass Communications
core   +1 more source