Results 201 to 210 of about 393,756 (252)
Some of the next articles are maybe not open access.
2021
Abstract Dress is integral to the performance of ballet, carefully considered in the collaboration between the choreographer and the designer. This chapter offers a broad introduction to thinking about “costume” as a term that is reserved for and relates to garments used for performance.
Carol Dickinson, A. K. Dickinson
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Abstract Dress is integral to the performance of ballet, carefully considered in the collaboration between the choreographer and the designer. This chapter offers a broad introduction to thinking about “costume” as a term that is reserved for and relates to garments used for performance.
Carol Dickinson, A. K. Dickinson
+5 more sources
2015
Costume and History in Highland Ecuador edited by Ann Pollard Rowe (University of Texas Press, 2011). ISBN 978029272591.
Ali Maclaurin, Aoife Monks
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Costume and History in Highland Ecuador edited by Ann Pollard Rowe (University of Texas Press, 2011). ISBN 978029272591.
Ali Maclaurin, Aoife Monks
+4 more sources
Wearing a garment can serve as a metaphor for inhabiting the city. In both cases, a space built on a human scale is occupied, excluding everything else. Spontaneous vegetation moves slowly, so as not to be noticed. Meanwhile, the city grows and alters it, leaving an indelible mark on its form.
Peter Burton, John Lane
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Peter Burton, John Lane
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A framework for incorporating virtual fitting into the costume design and production process
International Journal of Fashion Design, Technology and Education, 2021Anne Porterfield
exaly
Fine‐grained semantic ethnic costume high‐resolution image colorization with conditional GAN
International Journal of Intelligent Systems, 2022Di Wu, Jianhou Gan, Juxiang Zhou
exaly
Relations between body and clothing in performance: Costume as an activator of bodily actions
Studies in Costume & Performance, 2021Joana Imparato
exaly
2015
Abstract This chapter discusses the role of costume in opera. It is intended as an initial introduction to the topic and as such not only outlines key examples of existing scholarship, but also endeavors to illustrate the scope that exists for further research into this area of opera history. The 1881 production of Patienceby W.
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Abstract This chapter discusses the role of costume in opera. It is intended as an initial introduction to the topic and as such not only outlines key examples of existing scholarship, but also endeavors to illustrate the scope that exists for further research into this area of opera history. The 1881 production of Patienceby W.
openaire +1 more source