Results 51 to 60 of about 388,513 (253)

Ontological polyglossia: the art of communicating in opacity* Polyglossie ontologique : l'art de communiquer dans l'opacité

open access: yesJournal of the Royal Anthropological Institute, EarlyView.
What do communicating with a baby, with an animal, and with an ancestor have in common? In all three cases, people engage in opaque communication that is far from the standard psycholinguistic model of transparent interaction based on shared intentionality.
Charles Stépanoff
wiley   +1 more source

Eco-cosplay: Upcycling as a Sustainable Method of Costume Construction [PDF]

open access: yes, 2017
This research addresses sustainability in the apparel industry from the specific perspective of repurposing materials for use in costume development.
Smith, Kathleen, West, Sarah
core   +2 more sources

Beasts Playbill [PDF]

open access: yes, 2020
Providence College Department of Theatre, Dance & Film Bowab Studio Theatre Beasts An original play by Thomas Edwards \u2720 February 13-16, 2020 Directed by John Garrity Scenic & Lighting Designer: Trevor Elliott Sound Designer: Tim Brown \u2720 Costume
Providence College
core   +1 more source

For an inviting anthropology Pour une anthropologie accueillante

open access: yesJournal of the Royal Anthropological Institute, EarlyView.
Anthropologists have recently become inspired, captivated even, by the practices of the arts, design, and architecture in efforts to renew anthropology's modes of engagement and understandings of its relevance, particularly affecting how we approach ethnographic fieldwork.
Tomás Criado   +2 more
wiley   +1 more source

Costumes of the Serbian laity in Ottoman-era portraits: Markers of social status and identity [PDF]

open access: yesZograf
The paper examines Ottoman-era portraits of the Serbian laity from the second half of the fifteenth to the seventeenth century, comparing their costumes with those of Christians represented in the same period in neighboring areas. Informative sources are
Starodubcev Tatjana
doaj   +1 more source

Gender and indentity aspects in costume of different time periods and peoples [PDF]

open access: yesОмский научный вестник: Серия "Общество. История. Современность", 2018
Comparative analysis of men’s and women’s wardrobe is done. A study of changes is in the design and form creation. The expansion of the range of clothing is analyzed.
Yu. L. Gerasimova, O. A. Kirillova
doaj   +1 more source

‘Expression is power’: Gender, residual culture and political aspiration at the Cumnock School of Oratory, 1870–1900

open access: yesGender &History, EarlyView.
Abstract This article investigates the ways in which late‐nineteenth‐century students at Northwestern University's Cumnock School of Oratory mobilised elocution training and parlour performance to foster mixed‐gender public discourse. I use student publications to reconstruct parlour meetings in which women and men adapted traditions of conversational ...
Fiona Maxwell
wiley   +1 more source

Flap Anatomies and Victorian Veils: Penetrating the Female Reproductive Interior

open access: yesGender &History, EarlyView.
ABSTRACT This article examines the reappearance in the early nineteenth century of anatomical flapbooks in the context of obstetrical education in Britain, America and France. It asks why liftable paper flaps were reintroduced at this time after their disappearance from medical atlases in the eighteenth century.
Margaret Carlyle, Marcia D. Nichols
wiley   +1 more source

Raiding the Superhero Wardrobe: A Review of The Superhero Costume – Identity and Disguise in Fact and Fiction

open access: yesThe Comics Grid: Journal of Comics Scholarship, 2018
The Superhero Costume – Identity and Disguise in Fact and Fiction, B. Brownie and D. Graydon, Bloomsbury Academic, 192 pages, 2016, 15 b/w images, ISBN: 978-1472595904 This review provides a costume designer’s reading of The Superhero Costume – Identity ...
Alke Groppel-Wegener
doaj   +2 more sources

Falling Playbill [PDF]

open access: yes, 2018
Falling by Deanna Jent An Independent Student Production directed by Gaby DeParis \u2718 Scenic Design: GABY DEPARIS \u2718 Lighting Design & Sound Design: GABY DEPARIS \u2718 Costume Design: TEDDY KIRITSY \u2719 THE CAST Bill - THOMAS EDWARDS ...
Providence College
core   +1 more source

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