Results 181 to 190 of about 1,441,003 (237)

Appel à contribution: The intelligent hand, 1500-1800, The Courtauld Institute of Art, date limite 30 juin 2014,

Centre d’histoire de l’art de la Renaissance, 2014
openaire   +2 more sources

Emotional Intelligence and Breast Cancer: A Systematic Review. [PDF]

Heliyon
Morales-Sánchez L, Brandão T, Guil R.
europepmc   +1 more source

Fabrications: Designing for Silk in the Eighteenth Century, 5 mars 2016, The Courtauld Institute of Art, London

Fashion without fashion, 2016
openaire   +2 more sources

Higher Education Innovation Fund : round 2 : funding allocations [PDF]

core  

Intracellular Trafficking SNARE Protein, Syntaxin-6, is a Modifier of Prion and Tau Pathogenesis in vivo and in Cellular Models

Hill E, Patel M, Ribes JM, Linehan J, Zhang F, Farmer M, Jakubcova T, Hamdan S, Tomlinson A, Ercolani T, Schmidt C, Ahmed P, Thirlway G, Purro S, Argentina F, Marinho AT, Jones E, Kaye N, Fitzhugh C, de Silva R, Jackson GS, Brandner S, Kloehn P, Collinge J, Cunningham TJ, Mead S.   +25 more
europepmc   +1 more source

Some of the next articles are maybe not open access.

Related searches:

A History of the Department of Conservation and Technology at the Courtauld Institute of Art

Studies in Conservation, 2021
This article traces the foundation and development of the Department of Conservation and Technology at the Courtauld Institute of Art from its inception as a Technology Department in 1934 to 2020, ...
Roxane Sperber, Aviva Burnstock
openaire   +2 more sources

John Newman at the Courtauld Institute

Architectural History, 2001
For over thirty years John Newman has been the human face of the Courtauld Institute. Whenever the Courtauld was accused of being, like other metropolitan institutions, upstage or arrogant, there was someone to demur, ‘Ah, but there’s John Newman.’ And, indeed, his modesty and kindness highlight the human side of the Institute, of which there were of ...
M. Kauffmann
openaire   +2 more sources

The Gothic Ivories Project at the Courtauld Institute of Art

Sculpture Journal, 2014
The production of ivory objects flourished to an extraordinary extent in the Gothic period, especially in France: delicate statuettes, minutely carved diptychs and triptychs, mirror backs and caskets with secular scenes have survived in collections around the world. The only comprehensive survey of Gothic ivories, which inventoried over 1300 items, was
Catherine Yvard
openaire   +2 more sources

The growth of a slide library: The Courtauld Institute of Art

Art Libraries Journal, 1983
The Courtauld Institute of Art, London, has a slide collection dating back to 1932. Begun with lantern slides, it converted to 35mm. format in the 1950s and became an independent department in 1964. This article traces its history and growth, covering aspects such as acquisition, indexing, accommodation, staffing and use.
Lesley Trenner
openaire   +2 more sources

An unfinished masterpiece: special collections in the Book Library of the Courtauld Institute of Art

Art Libraries Journal, 2010
The Courtauld Institute of Art, a college of the University of London, is one of the foremost centres to study art history in the UK. Like a giant Matruschka doll, the Book Library at the Institute is a specialist art library that contains within it special collections which, in turn, have individual bequests that also contain discrete rare collections.
Erica Foden-Lenahan
openaire   +2 more sources