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The paper examines the features of the image of a typical courtly space (the court of Amour) in the context of the Christian concept of love (charity) expressed by Martin Le Franc in his poem “The Champion of Ladies” (c. 1441–1442). The court of Amour (
Alla Demakhina
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The paper examines the features of the image of a typical courtly space (the court of Amour) in the context of the Christian concept of love (charity) expressed by Martin Le Franc in his poem “The Champion of Ladies” (c. 1441–1442). The court of Amour (
Alla Demakhina
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The Jewish quarterly review, 2019
:This essay provides an intertextual reading of "The Love of Sahar and Kima," the ninth mahberet (narrative) of Ya'akov ben El'azar's Sefer ha-meshalim.
Tovi Bibring
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:This essay provides an intertextual reading of "The Love of Sahar and Kima," the ninth mahberet (narrative) of Ya'akov ben El'azar's Sefer ha-meshalim.
Tovi Bibring
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2003
Abstract The court to which Margaret Blagge had been called consisted of two royal households subsisting side by side, the one headed by the King and the other by his brother. James. Duke of York. At the time of his Restoration Charles II was 30 but still single, his marriage having been delayed by his years of penurious exile.
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Abstract The court to which Margaret Blagge had been called consisted of two royal households subsisting side by side, the one headed by the King and the other by his brother. James. Duke of York. At the time of his Restoration Charles II was 30 but still single, his marriage having been delayed by his years of penurious exile.
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Deleuze Studies, 2012
When approaching the philosophy of Deleuze in general, and the theory of imperceptible becomings (becoming(s)-imperceptible) in particular, as I am about to do, you must never underestimate the main idea that has been guiding Deleuze from Logique du sens to Critique et clinique. It is the idea that in any de facto event, empirically ascertainable, from
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When approaching the philosophy of Deleuze in general, and the theory of imperceptible becomings (becoming(s)-imperceptible) in particular, as I am about to do, you must never underestimate the main idea that has been guiding Deleuze from Logique du sens to Critique et clinique. It is the idea that in any de facto event, empirically ascertainable, from
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ELH, 1960
Taken together, a number of the recent close studies of Sir Thomas Malory's treatment of his French and English sources ' reveal one unmistakable fact about Malory's purpose in writing the Morte Darthur: that Malory intended from the very beginning of his labors to set down in English a unified Arthuriad which should have as its great theme the birth ...
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Taken together, a number of the recent close studies of Sir Thomas Malory's treatment of his French and English sources ' reveal one unmistakable fact about Malory's purpose in writing the Morte Darthur: that Malory intended from the very beginning of his labors to set down in English a unified Arthuriad which should have as its great theme the birth ...
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Rethinking chivalry and courtly love
Choice Reviews Online, 2011This book offers an overview of the origins, growth, and influence of chivalry and courtly love, casting new light on the importance of these medieval ideals for understanding world history and culture to the present day. Rethinking Chivalry and Courtly Love shows that these two interlinked medieval era concepts are best understood in light ...
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Teaching Courtly Love in the Medieval Literature Classroom: Desire, Consent, and the #MeToo Movement
#MeToo and Literary Studies, 2021Sara V. Torres, Rebecca F. McNamara
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2023
This chapter looks into courtly love as a sexual script. It explains that the notion of courtly love was originally an unreliable English translation of Gaston Paris's 1883 use of “amour courtois” to designate what he saw as a new kind of erotic relations in Chrétien de Troyes's Chevalier de la charette.
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This chapter looks into courtly love as a sexual script. It explains that the notion of courtly love was originally an unreliable English translation of Gaston Paris's 1883 use of “amour courtois” to designate what he saw as a new kind of erotic relations in Chrétien de Troyes's Chevalier de la charette.
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