Results 171 to 180 of about 30,645 (299)
The concept of Jesus’ descent into hell, or the harrowing of hell, articulated in the Apostles’ Creed, represents a significant theological belief within Christianity that has evolved over centuries.
Preston McDaniel Hill +1 more
doaj
Goal Orientation and Emotional and Personality-Related Career Decision-Making Difficulties: The Mediating Role of Career Adaptability Among Chinese University Students. [PDF]
Wang X, Wang N, Wu J, Wang G.
europepmc +1 more source
Protests as World‐Making Projects
ABSTRACT On one common way of distinguishing forms of protest, civil disobedience is a communicative act that aims to achieve its goals through moral persuasion, whereas direct action has as its goal to directly obstruct or deter a perceived injustice.
Lidal Dror, Sukaina Hirji
wiley +1 more source
Enhanced organic carbon burial in rewetted wetlands precedes long-term stabilization. [PDF]
Mistry P, Creed IF, Trick CG, Lobb DA.
europepmc +1 more source
Order of Explanation: Having it Both Ways
ABSTRACT Order‐of‐explanation objections say that some philosophical view implies p$p$ because q$q$, when it's more natural to say that q$q$ because p$p$; and since such mirroring explanations are presumed to be incompatible, the targeted view must be in conflict with the intuitive explanation.
Kenneth Black
wiley +1 more source
Wetlands set the pace of annual runoff in the northern Great Plains. [PDF]
Rahmani J, Creed IF, Badiou P, Ameli AA.
europepmc +1 more source
Bias Against Boltzmann Brains?
ABSTRACT A popular indifference principle for self‐locating probability faces skeptical challenges, most notably a skeptical challenge concerning Boltzmann Brains. We examine the prospects for various views that prescribe some degree of bias in place of indifference.
Sinan Dogramaci +3 more
wiley +1 more source
Temporal dissociation between cerebral blood flow and brain tissue oxygenation during CPR: observations from a porcine model. [PDF]
Silverman MG +8 more
europepmc +1 more source
Radical dystopia: The comic modernism of George Orwell's Nineteen Eighty‐Four
Abstract The present essay turns the received view of George Orwell's Nineteen Eighty‐Four on its head, arguing that Orwell's dystopian classic mobilizes the modernist techniques of T. S. Eliot's The Waste Land to lampoon the ideological fatalism of Eliot and other cultural conservatives.
Magnus Ullén
wiley +1 more source

