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True Crime and Contemporary Crime Fiction

Crime Fiction Studies, 2022
The incorporation of thematic and formal references to true-crime texts in recent British and Irish crime novels shows fiction authors acknowledging that they share an audience with true-crime podcasts, documentaries and books.
Victoria Stewart
semanticscholar   +1 more source

Guilt rules all: Irish mystery, detective, and crime fiction

Irish Studies Review, 2021
brings in a balance of viewpoint while exploring the rise and development of Irish crime fiction along with its political contexts. However, the author also points out one of the distinctions that sets Irish crime fiction apart from international crime ...
E. Burke
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“This oil thing touches everything”: World-Literary Crime Fiction and Fossil Capital

, 2021
Graeme Macdonald a montre que, si toute la litterature-monde peut se lire comme « une litterature du systeme-monde capitaliste », elle peut egalement se lire comme une « petro-litterature », tant « le petrole et ses constituants sont omnipresents dans la
S. Deckard
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World Crime Fiction

2022
In the case of crime fiction, since the first critical discussions of the genre in the early twentieth century, scholars have strongly focused on the United Kingdom, the United States and, sometimes, France, while paying only scant attention to parallel or emerging traditions in the rest of the world.
Gulddal, Jesper, King, Stewart
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Irish Crime Fiction

British and Irish Literature, 2018
Brian Cliff
openaire   +2 more sources

European Crime Fiction

2022
In this chapter we argue that a predominant concern in many contemporary European crime novels is the consolidation of a democratic culture that protects the rights of citizens and upholds the rule of law. Drawing on a wide range of literary texts from across the continent, we analyse this overall ambition via three of its major manifestations ...
Gulddal, Jesper, King, Stewart
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Neuro-Crime Fiction: Detecting Cognitive Difference

, 2020
This paper seeks to understand how crime fiction connects with the neuroscientific turn occurring in society and culture today.
S. Meeks
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Contemporary Crime Fiction, Cultural Prestige, and the Literary Field

, 2020
Crime fiction laboured for many years under a persistent foundational anxiety over its cultural status.
Eric Sandberg
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Crime Fiction in the Archives: Hunting for Dashiell Hammett in the 1970s

Crime Fiction Studies
This is an essay about the archive. It considers what the archive is, who or what constitutes it and for what purposes, and how we understand the archiving of knowledge as a disciplinary practice: that is, as a practice of disciplinary power and as a ...
Andrew Pepper
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Historical Crime Fiction as Popular Historiography

, 2020
Due to the current history boom in the UK, which manifests itself in the conspicuous popularity of historical novels, costume dramas, and in rising visitor numbers to museums, the study of popular historiography has become a growing and vibrant field ...
D. Flothow
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