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Feminist anger is having a moment, but the double meaning of 'mad' as angry and crazy has shaped the representation of women in popular crime fiction since Lady Audley burned down the house over 150 years ago.
Caroline Reitz
semanticscholar +1 more source
2017
The commonly accepted definition of crime fiction is a work in which crime is central to the plot. The roots of crime fiction are traceable to the earliest human narratives, including the Greek and Roman myths and the biblical tale of Cain and Abel. Sensational accounts of real-life crimes and criminals in gallows confessions, broadsides, and pamphlets
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The commonly accepted definition of crime fiction is a work in which crime is central to the plot. The roots of crime fiction are traceable to the earliest human narratives, including the Greek and Roman myths and the biblical tale of Cain and Abel. Sensational accounts of real-life crimes and criminals in gallows confessions, broadsides, and pamphlets
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Criminal Moves Towards a Theory of Crime Fiction Mobility
, 2019This chapter presents the book’s theoretical framework, which consists in an understanding of crime fiction as an inherently mobile genre. Where crime fiction has traditionally, which typically means since the first texts of Edgar Allan Poe, been seen as
Jesper Gulddal +2 more
semanticscholar +1 more source
2023
A practical, critical and personal guide to the craft of crime writing by novelist and creative writing professor, Henry Sutton. Drawing on exceptional experience and resource, the mystery of creating crime fiction which moves with pace and purpose, menace and motivation, is forensically and engagingly uncovered.
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A practical, critical and personal guide to the craft of crime writing by novelist and creative writing professor, Henry Sutton. Drawing on exceptional experience and resource, the mystery of creating crime fiction which moves with pace and purpose, menace and motivation, is forensically and engagingly uncovered.
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Andrew Pepper. Unwilling Executioner. Crime Fiction and the State
Crime Fiction Studies, 2022J. Adams
semanticscholar +1 more source
2020
This chapter surveys the history of Irish crime fiction, a genre whose contemporary popularity tends to obscure its origins in the works of nineteenth-century writers including Gerald Griffin, Joseph Sheridan Le Fanu, Oscar Wilde, and L. T. Meade. The discussion highlights some of the most significant works that lie along the broad spectrum of writing ...
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This chapter surveys the history of Irish crime fiction, a genre whose contemporary popularity tends to obscure its origins in the works of nineteenth-century writers including Gerald Griffin, Joseph Sheridan Le Fanu, Oscar Wilde, and L. T. Meade. The discussion highlights some of the most significant works that lie along the broad spectrum of writing ...
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The mysterious case of theory and practice: crime fiction and collaborative translation
, 2021Brigid Maher
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2021
Les fictions du monde arabe font la part belle aux faits criminels, depuis la période classique jusqu’à nos jours. Pourtant, l’idée que le roman policier ou, plus généralement, le récit criminel existe comme genre au sein de la culture arabe n’est pas encore pleinement admise.
Ghosn, Katia, Tadié, Benoît
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Les fictions du monde arabe font la part belle aux faits criminels, depuis la période classique jusqu’à nos jours. Pourtant, l’idée que le roman policier ou, plus généralement, le récit criminel existe comme genre au sein de la culture arabe n’est pas encore pleinement admise.
Ghosn, Katia, Tadié, Benoît
openaire +1 more source