Results 31 to 40 of about 848,130 (293)
Karel Čapek i „renesansa“ češke kriminalističke proze 1958 – 1969.
[sic], 2016 After an entire decade (1948-1957) of being strictly forbidden and anathematized, Czech crime fiction gained sway in the post-February literary life at the end of the fifties.
Matija Ivačić
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American, British and Canadian Studies Journal, 2017 This article examines the portrayal of female identity and crime in the Tudor period in Nancy Bilyeau’s contemporary historical crime fiction novel, The Crown (2012). Featuring a female detective figure, Joanna Stafford, Bilyeau’s novel forms part of the
Beyer Charlotte
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Quand l’enquêteur se met à table
Cahiers Balkaniques, 2016 In this article, I will intend to show the long-standing relationship in most crime fiction detectives' lives–that is with food and gastronomy. I will focus on recent Greek crime fiction (especially the novels or short stories of Andreas Apostolidis ...
Loïc Marcou
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Under British Eyes: The Complex Fortune of Italian Crime Fiction
Altre Modernità, 2010 Under British Eyes: The Complex Fortune of Italian Crime Fiction (Mirna Cicioni & Nicoletta Di Ciolla (eds), Differences, Deceits and Desires. Murder and Mayhem in Italian Crime Fiction, Newark: University of Delaware Press, 2008, 228 p., ISBN 978-0 ...
Nicoletta Vallorani
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Val McDermid's Lindsay Gordon: A Revolutionary Portrait in Tartan- Noir
Dil ve Edebiyat Araştırmaları DergisiConsidered as one of the most influential crime fiction writers of our time, Val McDermid combines her works with Scotland’s city and town culture. Having the opportunity to closely observe the problems faced by the working class in the town of Fife ...
Yıldırım Özsevgeç
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, 2023 This chapter examines the role that the crime novel played in exposing and, conversely, smoothing out the ill effects of capitalism, and of drawing attention to the intersections between crime, business, and the law. It argues that crime fiction’s ability to expose violent wrongdoing speaks to a wafer-thin ethical code in twentieth-century American ...
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Crime fiction and digital media
, 2020 This chapter distinguishes between distributing texts in a digitised form and digital fiction/digital textual forms; all these are products of the digital revolution, which has its roots in the recent development of communication and information technologies.
Välisalo, Tanja +3 more
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Nommer les LGBTQIA+ dans les traductions de polars américains
MediAzioniThis article considers the evolution of representations of LGBTQIA+ characters in French crime fiction imprints between 1945 and 1989, focusing in particular on the Série Noire. It begins with a linguistic analysis of the terms favored by translations of
Camille Bouzereau, Benoît Tadié
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The Image Of Crime In The Scientific-Fantastic Configuration Of The Future
Архів кримінології та судових наук, 2022 One of the forms of expression of new knowledge is science fiction, which projects images of evil. The latter is manifested in personal, cultural, social, political, and other contexts, in various manifestations of crime.
Oleksii Lytvynov, Hanna Spitsyna
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European crime fiction: The novels of Fred Vargas and Andrea Camilleri [PDF]
, 2013 This dissertation considers the crime fiction of French writer, Fred Vargas and Italian writer, Andrea Camilleri. It places them in the context of the current growing popularity of crime fiction as a literary genre and their place in the literary history
West, Sue
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