Results 61 to 70 of about 848,130 (293)

Crime Fiction and the Future

open access: yes, 2020
The essays starts providing a working definition of science fiction, focusing on the most recent developments and the theoretical frame they are built on:Ref.: (Gunn 2002a) (Gunn 2002a) (Gunn 2002b)(Gunn 2003a)(Gunn 2003b)(Suvin and Canavan 2016 ...
N. Vallorani
core   +2 more sources

Crime, Histoire et fiction

open access: yesCahiers d’Études Romanes, 2006
La critique a décrit la proximité qui existait entre l’historien et le détective privé à une époque où les romans à énigme acclimatés dans des décors historiques sont devenus un genre à part entière.
José Garcia-Romeu
doaj   +1 more source

The Economy of Murder: Capital, Crime, and Crisis in Peter Murphy’s and Rachael Moriarty’s Traders (2015) [PDF]

open access: yesEstudios Irlandeses, 2023
The abundance of contemporary Irish fiction dealing with crime seems hard to refute. While most works have been produced in the literary field, cinema has also explored Ireland’s contemporary situation through the lens of crime fiction.
Diana Ortega Martín
doaj  

Legal Professionals Use an Implicit Checklist to Assess Expert Witness Credibility

open access: yesBehavioral Sciences &the Law, EarlyView.
ABSTRACT In a court of law, some forms of evidence are too technical to interpret without the help of an expert witness. However, expert testimony sometimes leads to wrongful conviction. We used an online survey to quantitatively compare how legal professionals (n = 122) and lay people (n = 109) understood what makes an expert witness credible.
Mahensingh Deonaran   +2 more
wiley   +1 more source

The Crime Fiction Series

open access: yes, 2020
The serial logic manifests itself on several levels: the microlevel of the individual narrative, the intermediate level of the story or book series, and the macro level of the genre.
Mayer, Ruth
core   +1 more source

High Crime in Contemporary Scandinavian Literature

open access: yes, 2011
The novel turning to crime fiction for inspiration is naturally not a new phenomenon. Writers as diverse as Joseph Conrad, Fjodor Dostojevskij, Graham Greene, Jorge Luis Borges, Italo Calvino, Umberto Eco, Paul Auster and Thomas Pynchon are prominent ...
Persson, Magnus
core   +1 more source

Surfing, Submerging, Subverting: The Poe-litics of a Popular Genre

open access: yesJournal of the Short Story in English, 2022
Is short crime fiction merely a popular genre designed for entertainment or a more serious genre, worthy of serious study: a genre merely to surf or one worthy of intellectual submersion?
Gavin Cologne-Brookes
doaj  

Religion in Scandinavian Crime Fiction

open access: yesAkademisk Kvarter, 2011
A similar focus on the cosmic can be found in Kim Toft Hansen'sarticle Religion in Scandinavian Crime Fiction, where Hansen argues that crime fiction in Scandinavia is moving towards becoming a post-secular genre, which on the one hand discusses and ...
Kim Toft Hansen
doaj   +1 more source

The Age of Questions: Truth Regimes and Subjectivity in the Era of Large Language Models

open access: yesBehavioral Sciences &the Law, EarlyView.
ABSTRACT This essay explores how digital technologies shape subjectivity's infra‐political constitution, focusing on large language models (LLMs) like ChatGPT or Gemini within what philosophers, inspired by Michel Foucault, term the “digital truth regime.” After defining this regime, the essay identifies five key traits of LLMs: presentism in truth ...
Charles Corval
wiley   +1 more source

Rubem Fonseca and Noir Literature

open access: yesAbriu: Estudos de Textualidade do Brasil, Galicia e Portugal, 2014
Rubem Fonseca is considered a key author in the introduction of crime fiction in Brazil. This article reviews his contribution to the genre and analyzes the specifics of his narrative in the context of Brazilian literature, in which Fonseca breaks from ...
Pere Comellas
doaj   +1 more source

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