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Critical Editing And Critical Digitisation

2011
In fourteen thoughtful essays this book reports and reflects on the many changes that a digital workflow brings to the world of original texts and textual scholarship, and the effect on scholarly communication practices. The spread of digital technology across philology, linguistics and literary studies suggests that text scholarship is taking on a ...
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Digital Critical Editing

2017
This chapter focuses on the aims of digital critical edition, and offers an organized inventory of tools that can help with collation, edition, research, reading, and conservation. It presents an overview of the tasks that express the ambitions of digital critical edition, while unveiling a classified inventory of techniques used at different levels of
Alois Pichler, Tone Merete Bruvik
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Modelling a Web Based Editing Environment for Critical Editions.

2011
Critical editions can be complex objects to digitise both in the output/publication process and in the production. In most cases, for the output, there is the need to manage facsimiles, a main text (with lots of diacritics, deletions, suppressions, supplied text), an apparatus (with a very dense, conventional notation), footnotes (with cross references
Litta, Eleonora Maria   +2 more
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Digital Critical Editions

2014
This book examines how transitioning from print to a digital milieu deeply affects how scholars deal with the work of editing critical texts. On one hand, forces like changing technology and evolving reader expectations lead to the development of specific editorial products, while on the other hand, they threaten traditional forms of knowledge and ...
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Critical Editions and Performance

2001
Abstract In an article in Opera News in 1995, Will Crutchfield lamented the loss of ‘one of my favourite examples of the power of melody in Italian opera’.
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The Critical Edition as Archive

2014
In his influential New Bibliographical study, On Editing Shakespeare (1966), Fredson Bowers makes what now seems like an astonishing claim. His eyes firmly set on the future of editorial practice as he contemplates the feasibility of “a definitive text of Shakespeare,” he writes, “Some day the accumulation [of facts] will reach the limits of human ...
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Critical Edition

2012
Saroja Bhate   +2 more
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