'Not a mere tangential outbreak':gender, feminism and cultural heritage [PDF]
, 2018 The aim of this essay is to provide an overview of recent contributions to the \u201cgender and heritage\u201d debate, focusing in particular on suggestions and recommendations about how to expand and further advance the gender agenda in the heritage ...
Colella, Silvana
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Decolonization and the politics of display: A case study from the National Museum of Qatar
Museum Anthropology, Volume 48, Issue 2, Fall 2025.Abstract The exhibition “On the Move: Reframing Nomadic Pastoralism” was the flagship exhibition organized by the National Museum of Qatar for the World Cup 2022 period. The exhibition aimed to contextualize the nomadic past of Qatar within a broader, global cultural frame, as well as to create an ethnographic exhibition that would be appealing to a ...
Alexandra Bounia
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Museum Critique in Contemporary Artistic Practices: Collecting, Captioning, Displaying, Exhibiting
Miranda: Revue Pluridisciplinaire du Monde AnglophoneThis article presents a case study of the work of a contemporary artist, Ed Atkins, whose practice is based on the collection and arrangement of objects and the production of critical texts about them.
Adrian Fix
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Radical Laughter: To be Seen, to be Heard Exhibit at the Museum of Anthropology
Museum Anthropology, Volume 48, Issue 2, Fall 2025.ABSTRACT This article is a review of the To Be Seen, To Be Heard: First Nations in Public Spaces, 1900–1965 Exhibition at the Museum of Anthropology, situated on xʷməθkʷəy̓əm—Musqueam traditional land at the University of British Columbia in Vancouver, BC. Co‐curated by Maria Crosby and Karen Duffek.
Raven Begell‐Long
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Mundo Amazónico, 2018 Sharing Knowledge started as a pilot project of collaboration between the Ethnological Museum of Berlin and the National Experimental Indigenous University of Tauca (Uneit), Venezuela. The basic idea of such collaboration, inspired by critical museology,
Andrea Scholz
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Communities, values and the “new” museology at MuZA : a reply to Sandro Debono's 'MuZA - rethinking national art museums and the values of community curation' [PDF]
, 2015 Sandro Debono's “MuŻA – Rethinking National Art Museums and the values of community curation” (published in the Malta Review of Educational Research in December 2014) makes many promising claims in articulating Heritage Malta's new Museum of Art project (
Grech, John
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Sotaiart: prácticas críticas en los intersticios de un museo
Arte, Individuo y Sociedad, 2007 This article makes a relationship of the critical practices in museum with interstices though the example of a educational workshop called "sotai art" at the Fundació Pilar y Joan Miró at Palma de Mallorca.
Javier Rodrigo Montero
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The Right to the Museum: From the White Cube to the Critical Museum
SociologicaAs the museum ecosystem undergoes a process of de- and re-articulation — politically and aesthetically affecting cultural and artistic institutions — museums are increasingly becoming hybrid and transdisciplinary entities.
Sara Pastore
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‘A material influence imperceptibly exercised on the taste and judgement of the public’: The Burlington Fine Arts Club and the history of collecting [PDF]
Journal of Art Historiography, 2019 Founded in 1866 by the South Kensington curator John Charles Robinson, the Burlington Fine Arts Club played a critical role in the landscape of collecting and display over its near century long history.
Eloise Donnelly
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Вестник Тамбовского университета. Серия: Гуманитарные науки, 2020 We consider the experience of using museum pedagogy to implement the innovation project “Basic schools of the Russian Academy of Sciences”. The main goal of the project is to identify and attract talented young people to the scientific sphere. The school
G. S. Makhrachev
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