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Working Towards a Critical Race Art History
This essay outlines the foundations and aims of Critical Race Art History, a methodological approach that examines how race operates in art and visual culture. Through case studies of artworks ranging from 18th-century porcelain to contemporary art, the authors reveal how racial hierarchies are naturalized through representation.
Francis, Jacqueline +1 more
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Alternative Approaches to Exhibition Politics: Do We Still Need Feminist Curatorial Practices? / Sergileme Politikalarında Alternatif Yaklaşımlar: Feminist Küratöryal Pratiklere Hâlâ İhtiyaç Var mı? [PDF]
Despite its long history, the emergence of critical perspectives discuss the categories of gender, ethnicity and class and are relatively new in the field of exhibition practices. Joan W.
Yıldız Öztürk
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“Anglo-Saxon”: Nationalism and Race in the Promotion of Edward Hopper
Taking cues from the critique of institutional racism sharpened by the Black Lives Matter movement and from more recent scholarship, I consider here how Hopper’s work was promoted in a time of cultural nationalism, as well as how his art should be ...
Gail Levin
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The Confederate Flag in the Capitol and the Future of Artistic Expression
Amy ...
Amy Werbel
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“Moral Lessons”: Charles Deas’s The Wounded Pawnee
If I looked closely and recognized my own cultural biases, as Jules Prown wisely recommends, could I understand how [Henry] Tuckerman’s experience shaped a response that was so different from mine?
Carol Clark
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Politics in the Pantheon: Commemoration, White Supremacy, and National Statuary Hall
Kelvin L. Parnell Jr.
Kelvin L. Parnell Jr.
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On the Impossibility of Global Modernisms
As art history begins to take seriously the imperative to decolonize, one of the most vexing areas of resistance to change is the conventional periodization of art historical epochs. Even while acknowledging that spatial divisions like West and Non-West
Tatiana Flores
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Introduction: Riff: African American Artists and the European Canon
This special section of Panorama entitled “Riff: African American Artists and the European Canon” is an outgrowth of an Association for Critical Race Art History panel of the same name that took place at the annual meeting of the College Art Association ...
Adrienne L. Childs
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