Results 61 to 70 of about 855 (168)

Echoes of the Life of Dora Pejačević’s Music on Croatian Radio

Arti Musices
Radio Zagreb, today Croatian Radio (HR), began broadcasting on 15 May 1926, three years after the death of Dora Pejačević (Budapest, 10 September 1885 – Munich, 5 March 1923). Apart from two of the 24 opuses printed during her lifetime and one manuscript,
Tatjana Čunko
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Earthquake consenquences and solidarity volunteering in Glyptotheque of the Croatian Academy of Sciences and Arts

, 2021
The Glyptotheque of the Croatian Academy of Sciences and Arts is a museum of sculpture and a unique institution in the Republic of Croatia which collects mostly plaster models of eminent Croatian sculptors and plaster casts of the national heritage from Antiquity and the Renaissance. The museum is located in a former industrial building, a tannery, and
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Dora Pejačević and Music Salons in Continental Croatia as Hubs of Cultural Networking

Arti Musices
The term »salon music« has been generally defined as both a space of music making and as a type of music that is performed there. In the first instance (concerning space), it can be observed from three perspectives: as a distinguished space of music ...
Vjera Katalinić
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ROMAN AUXILIARY FORTS IN DALMATIA: THE CASE OF TILURIUM

Journal of Ancient History and Archaeology, 2019
The legionary fortress of Tilurium (village of Gardun near Trilj in Croatia) has been the subject of archaeological excavations from 1997; and until now, four monographs have been published dealing with the material found in the campaigns from 1997 to ...
Nikola Cesarik
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Stručna glazbena terminologija Franje Kuhača u odnosu na tekst »Postanak i narav glasbe« (1875) Bogoslava Šuleka

Arti Musices
U ovom se radu prezentira, komparira i analizira stručna glazbena terminologija Franje Kuhača, sabrana u dvama izdanjima njegova Katekizma glazbe (1875; 1889/1890), u odnosu na glazbenu terminologiju iz teksta »Postanak i narav glasbe« (Vienac, 1875 ...
Marija Benić Zovko
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Zagreb at the operatic crossroads in the 1860s: the winding road towards the national opera

Muzyka, 2018
During the 1860s, Zagreb did not have a steady operatic ensemble, although its preparatory stage was already in existence within the drama department of the National Theatre, when – from 1863 – operettas were performed by a small theatre orchestra ...
Vjera Katalinić
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How were Imitations of Samian Formed?

Internet Archaeology, 2018
This article examines the variety of the locally made ceramic group known as Pannonian slipped ware (Pannonische Glanztonware - PGW). For the Roman provincial archaeology of Pannonia this group has particular meaning because it is perceived as a regional
Tino Leleković
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O tome kako se ne bi smjelo znanstveno raditi: odgovor na osvrt D.Jamičića

Geologia Croatica, 2010
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Jakob Pamić
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How to Create a National Opera? The Lisinski Case. Imaginary Memoirist Sketches with an Epilogue

De Musica Disserenda, 2016
The article deals with the situation in the 1840s, when the young composer Vatroslav Lisinski (1819–1854) was asked by Zagreb patriots to compose a national opera.
Vjera Katalinić
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Granice u Istarskim prikazanjima Borisa Senkera

Poznańskie Studia Slawistyczne
Koncept trećega prostora kao apstraktnog prostora otvorenog prema društvenim i kulturnim interakcijama razvio je postkolonijalni teoretičar Homi K. Bhabha kao model razumijevanja i analize post/kolonijalnih prostora, identiteta, kultura, moći i otpora ...
Lucija Ljubić
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