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2016
In this book, I explore the history of the British-Spanish Society, which played a key role in the cultural relations between Spain and the UK during the 20th Century. I argue that this association is an early example of those cultural institutions involved in foreign policy.
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In this book, I explore the history of the British-Spanish Society, which played a key role in the cultural relations between Spain and the UK during the 20th Century. I argue that this association is an early example of those cultural institutions involved in foreign policy.
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2011
Introduction- New Diplomatic History Part I: The Structure of a Service 1. Why Diplomacy? 2. Education, Training and Promotion 3. Family, Sex and Marriage Part II: Of Cabbages and Kings 4. Etiquette and Face 5. Favourites and Flunkeys 6. Gossips, Networks and News Part III: Beyond the Call of Duty 7. The Grand Tour 8. From Ancients to Moderns 9.
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Introduction- New Diplomatic History Part I: The Structure of a Service 1. Why Diplomacy? 2. Education, Training and Promotion 3. Family, Sex and Marriage Part II: Of Cabbages and Kings 4. Etiquette and Face 5. Favourites and Flunkeys 6. Gossips, Networks and News Part III: Beyond the Call of Duty 7. The Grand Tour 8. From Ancients to Moderns 9.
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2020
Culture and creativity represent an almost ubiquitous component of the international action of cities. A core feature—and a driver—of bilateral ties such as twinning or cooperation agreements, culture and creativity are frequently integrated into the economic strategies aimed at supporting local economic growth and job market.
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Culture and creativity represent an almost ubiquitous component of the international action of cities. A core feature—and a driver—of bilateral ties such as twinning or cooperation agreements, culture and creativity are frequently integrated into the economic strategies aimed at supporting local economic growth and job market.
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The Politics of “Cultural Diplomacy”
World Politics, 1962ONE of the tasks of statecraft in any conflict is to infer the adversary's objectives from his observable tactics and strategies, deciding in the process how much energy to expend in divining such objectives and how much in shaping them in keeping with one's own capabilities and goals. Frederick C.
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Transatlantic Cultural Diplomacy
2014This chapter grapples with the question of whether the EU can project a coherent image to the outside world through public diplomacy given its significant cultural diversity. Has this been an impossible task or has the EU over time managed to create successful and legitimate ways of augmenting its soft power through the export of its cultural products?
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