Results 21 to 30 of about 415 (165)
Sustainable Tourism and Projectification: Evidence from South‐Eastern Italy
The Political Quarterly, EarlyView.Abstract This article examines how public policy can be used to promote local tourism and steer it towards sustainability. It uses the municipality of Lecce—a medium‐sized city in south‐eastern Italy—and the broader Salento region as a critical case study, drawing on descriptive statistics, administrative data on local policy projects promoting culture
Lorenzo Mascioli
wiley +1 more source
Gender &History, EarlyView.ABSTRACT In Spain, under General Franco's regime, homosexuality was regarded as an antisocial and dangerous behaviour. It was thus pursued both by the police and judicial courts. The Law on Vagrants and Crooks (1954) and, subsequently, the Law on Dangerousness and Social Rehabilitation (1970) constituted the legal mechanisms used by the dictatorship to
Jordi Mas Grau, Rafael Cáceres‐Feria
wiley +1 more source
A Very Social History: South American Cricketing Tourists in Britain in 1932
History, EarlyView.Abstract Drawing on both the rich Anglophone cricket historiography and the new Latin American sports scholarship, this article maps out the entangled global networks that shaped the tour of Britain made in 1932 by a team of South American cricketers.
Matthew Brown
wiley +1 more source
Culturas populares: clivagens e rasuras conceituais
Boitatá, 2015 As abordagens a respeito das culturas populares vêm sendo produzidas sob muitas hesitações, embates teóricos, metodológicos e mesmo de delimitação de objeto. Partindo dessa constatação, o estudo apresenta algumas dizibilidades acerca da cultura popular,
Vanusa Mascarenhas Santos
doaj +1 more source
Crossroads of the Life of Vittorio Alfieri
Journal for Eighteenth-Century Studies, EarlyView.Abstract This article examines Vittorio Alfieri's Life as a deliberately constructed narrative of cultural, linguistic, and political self‐fashioning within eighteenth‐century European intellectual networks. Rather than treating the autobiography as a transparent record of experience, the article argues that Alfieri retrospectively reorganizes his ...
Sara Gallegati
wiley +1 more source
Agricultural and Forest Entomology, EarlyView.Coccinellidae (Coleoptera), Miridae (Hemiptera), Hemerobiidae (Neuroptera), Pentatomidae (Hemiptera), Anystidae (Acari), Erythraeidae (Acari) and spiders (Araneidae, Oxyopidae and Salticidae) fed on the invasive paropsine leaf beetles in Marlborough, New Zealand.
Souradji I. Bachirou +2 more
wiley +1 more source
Gender Attitudes Roles Evaluation in Collections‐Based Organizations: Overcoming the Gender Bias
Curator: The Museum Journal, EarlyView.ABSTRACT Collections‐based organizations (CBOs) have historically been institutions that reinforce values and power structures including gender inequalities. However, in recent decades, feminism and critical theory have promoted significant changes in how CBOs address gender issues in their collections, exhibitions, and educational programmes ...
Mar Gaitán
wiley +1 more source
ACENO - Revista de Antropologia do Centro-Oeste, 2022 Apresentamos uma discussão sobre dança e culturas populares. Problematizamos os conceitos de dança e cultura popular, esboçando um breve panorama de seu desenvolvimento nas Ciências Sociais, e particularmente nos estudos antropológicos.
Osorio, Patricia Silva +1 more
openaire +3 more sources
The Discourse of Equality in Spanish Museums. How Social Media Communicate International Women's Day
Curator: The Museum Journal, EarlyView.ABSTRACT International Women's Day on March 8th is an arena for discourse in contemporary Spain, highlighted by intra‐feminist tension and ideological polarization. In their role as sociocultural mediators, museums construct narratives of gender equality.
Héctor Navarro‐Güere +2 more
wiley +1 more source
‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, EarlyView.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley +1 more source