Results 131 to 140 of about 1,728 (177)

AI-Driven Revolution of Medical Robotics Across Surgical Innovation, Rehabilitation Intelligence, and Multimodal Healthcare Delivery. [PDF]

MedComm (2020)
Chen F, Chen H, Yu T, Wang R, Wang Y, Zhang X, Li J, Liu K, Hai D, Bao X, Mo Z, Yang D, Wang Z, Lin Y, Xia Q, Yang G, Shuai J.   +16 more
europepmc   +1 more source

Relationship between dementia diagnostic characteristics and severity of depressive symptoms in a cross-sectional analysis of HOMESIDE baseline data. [PDF]

Sci Rep
Bukowska AA, Janus E, Soo VP, Smrokowska-Reichmann A, Hsu MH, Stensæth KA, Odell-Miller H, Tamplin J, Wosch T, Sousa TV, Lamb KE, Braat S, Baker FA.   +12 more
europepmc   +1 more source

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Czech Bagpipe Music*

Journal of the International Folk Music Council, 1963
In a form that has changed but slightly in recent times, the bagpipe is still used in several European countries, and in Czechoslovak folk music it has played a very important role—perhaps a more important role than that played anywhere else in the world (Markl, 1962).In Czechoslovak territory, bagpipes, called by various names, are mentioned in ...
openaire   +1 more source

Czech Republic: History, Culture, and Geography of Music

2019
exaly   +2 more sources

Symphonic Music in the Nineteenth-Century Czech Lands

Eva Branda
exaly   +2 more sources

The three phases of rock music in the Czech lands

Communist and Post-Communist Studies, 2019
In the Czech lands (included in Czechoslovakia until the end of 1992), rock music has evolved through three phases. In the first phase, lasting until 1968, rock musicians had no ambition to offer social or political commentaries. This began as the era of rock ‘n’ roll, which is to say music being performed for dancing.
Vladimir Đorđević, Sabrina P. Ramet
openaire   +1 more source

Musically mapped: Czech popular music as a second ‘world sound’

European Journal of Cultural Studies, 2011
This article broadly considers the developments and contemporary dynamics within Czech popular music culture since that country’s post-communist transition, specifically exploring the relationships between local musicians, the local music culture industries and the dimensions and operations of the global music industry.
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