Results 131 to 140 of about 3,522 (165)
Prosodic Analysis of Urban Music in French and Czech
, 2016 La présente thèse traite du rythme, de l’accentuation et de l’intonationdans le rap et le reggae en décrivant les traits formels des phrasés. Ces manières derécitation, qui relèvent de la scansion poétique, du chant et du mi-chant, se prêtentà une analyse dans un cadre théorique de la prosodie contrastive et de la théoriedu vers. La thèse se compose de
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A Consideration on the Indigenization of Licensed Musicals ― Focused on the Case of Czech Musicals
The Journal of Korean drama and theatre, 2018 openaire +1 more source
Richard Batka's Relationship to Personalities of Czech Music [PDF]
Musicologica Olomucensia, 2012 openaire +1 more source
Old Czech legends as an inspiration for pop music
Bohemica Olomucensia, 2012 openaire +1 more source
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Journal of the International Folk Music Council, 1963
In a form that has changed but slightly in recent times, the bagpipe is still used in several European countries, and in Czechoslovak folk music it has played a very important role—perhaps a more important role than that played anywhere else in the world (Markl, 1962).In Czechoslovak territory, bagpipes, called by various names, are mentioned in ...
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In a form that has changed but slightly in recent times, the bagpipe is still used in several European countries, and in Czechoslovak folk music it has played a very important role—perhaps a more important role than that played anywhere else in the world (Markl, 1962).In Czechoslovak territory, bagpipes, called by various names, are mentioned in ...
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The three phases of rock music in the Czech lands
Communist and Post-Communist Studies, 2019In the Czech lands (included in Czechoslovakia until the end of 1992), rock music has evolved through three phases. In the first phase, lasting until 1968, rock musicians had no ambition to offer social or political commentaries. This began as the era of rock ‘n’ roll, which is to say music being performed for dancing.
Vladimir Đorđević, Sabrina P. Ramet
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Musically mapped: Czech popular music as a second ‘world sound’
European Journal of Cultural Studies, 2011This article broadly considers the developments and contemporary dynamics within Czech popular music culture since that country’s post-communist transition, specifically exploring the relationships between local musicians, the local music culture industries and the dimensions and operations of the global music industry.
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The History of Electroacoustic Music in the Czech and Slovak Republics
Leonardo Music Journal, 1995The history of electroacoustic music in the Czech and Slovak Republics began with simple experiments undertaken by composers in the 1950s. Increasing activity and interest throughout the 1950s and early 1960s led to the First Seminar of Electronic Music in the former Czechoslovakia, which was held at the Radio Broadcast Station in Plzeň in 1964.
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