Results 181 to 190 of about 558,885 (301)
Body Cosmos 2.0: embodied biofeedback interface for dancing. [PDF]
Lin RR, Ke KY, Zhang K.
europepmc +1 more source
Intergroup conflicts have a wide range of impacts, including affecting movement and ranging patterns. Previous studies found contrasting movement responses to intergroup conflicts, but no explanation for these differences has been suggested. However, these can be broadly grouped into ‘conflict avoidance' responses: avoiding areas close to the fight ...
Elizabeth F. R. Preston +3 more
wiley +1 more source
Relationships between self-esteem, self-efficacy, and interoceptive awareness among pole dancers: a network analysis. [PDF]
Rogowska AM, Mikłuszka M, Błońska K.
europepmc +1 more source
ABSTRACT This article links the connection between music and leadership, exploring ways to connect musical icons to teaching leadership theory and concepts. The authors utilize the relationship leadership model (RLM) and the leadership identity development (LID) model through case studies of Beyoncé Knowles‐Carter and Taylor Swift. We provide questions
Sanithia Tucker, Kaley Vincent
wiley +1 more source
Co-designing an intergenerational dance programme using the 6SQuID framework: a development and proof-of-concept study. [PDF]
O'Reilly SM +3 more
europepmc +1 more source
Creating Change: Art Activism and Leadership Development
ABSTRACT This article advocates the inclusion of the arts, and specifically, art activism, as a beneficial pedagogical approach to leadership development. Focus is given to using examples of art activism to introduce the student leader activist identity continuum (SLAIC), the exploration of leadership identity, and situating activism as transformative ...
Jessica A. Cruz +2 more
wiley +1 more source
Organic Representation as a Critical Media Approach to Leadership Studies in Popular Culture
ABSTRACT This article applies the critical media concept of organic representation to leadership studies as an analytic of how various creators in popular culture today are not just writing inclusive storytelling but, more notably, modeling new modes of production and self‐presentation that are actively challenging hegemonic industry practices and ...
Raffi Sarkissian
wiley +1 more source

