Results 41 to 50 of about 696 (135)

Credenciamento descredenciado da arte

open access: yesKalagatos, 2017
O artigo discute a noção de descredenciamento filosófico da arte do filósofo estadunidense Arthur Danto apresentado em sua obra O descredenciamento filosófico da arte.
Thiago Gomes
doaj   +1 more source

Why is substitutional theory of representation inconsistent when combined with traditional aesthetics? Review of A.C. Danto’s philosophy of art [PDF]

open access: yesFilozofija i Društvo, 2006
This article intends to critically envisage limits and values of philosophy of art of Arthur Danto and to point out the main problems of the theory of supstitutional representation, when placed within wider theoretical frame of traditional aesthetics ...
Ristić Stefan
doaj   +1 more source

“STRANDED ON THE SHORES OF HISTORY”? MONUMENTS AND (ART‐)HISTORICAL AWARENESS

open access: yesHistory and Theory, Volume 64, Issue 3, Page 338-358, September 2025.
ABSTRACT Can past agents deliberately influence our historical awareness by designing objects’ appearances and sending them to us down the stream of time? We know they have certainly tried to do so by raising monuments. But according to an influential narrative, the efforts of the “monumentalists” are destined to fail: no monument can keep a legacy ...
Jakub Stejskal
wiley   +1 more source

Significados incorporados e a questão retórica da arte em Arthur Danto

open access: yesViso
O problema da definição da arte é medular para a filosofia da arte de Arthur Danto. Sendo o esteta um essencialista, e cuja teoria estética compreende a condição histórica da arte como característica extensional de seu essencialismo, a objetividade de ...
Charliston Pablo do Nascimento
doaj   +1 more source

Le concept de médium chez Arthur Danto : les choses banales comme médiums ?

open access: yesAppareil, 2017
Partant de la situation particulière dans laquelle Arthur Danto place la notion de « médium » dans La Transfiguration du banal (1981), il s'agit de rendre compte d'une évolution de sa pensée quant à la séparation ontologique qu'il instituait en 1981 ...
Vincent Beaubois
doaj   +1 more source

K filosofii dějin Arthura C. Danta a problému historické podmíněnosti narativních rámců

open access: yesFilosofický časopis, 2022
Arthur C. Danto’s philosophical study of history is overshadowed by his more famous texts in the area of the philosophy of art. In the current discussion on the philosophy of history it follows then that the thematization of Danto’s conception of ...
Lojdová, Šárka
doaj   +1 more source

Aesthetic peerhood and the significance of aesthetic peer disagreement

open access: yesThe Southern Journal of Philosophy, Volume 63, Issue 3, Page 444-463, September 2025.
Abstract Both aestheticians and social epistemologists are concerned with disagreement. However, in large part, their literature has yet to overlap substantially in terms of discussing whether there are viable conceptions of aesthetic peerhood and what the significance of aesthetic peer disagreement might be as a result.
Quentin Pharr, Clotilde Torregrossa
wiley   +1 more source

Representação, interpretação e sonho acordado em Arthur Danto

open access: yesViso
Este artigo aborda a questão dos indiscerníveis no contexto do pensamento de Arthur Danto, explorando o desafio de interpretar obras de arte feitas a partir de objetos comuns no mundo cotidiano.
Regina Sanches Xavier
doaj   +1 more source

Narrative Understanding

open access: yesEuropean Journal of Philosophy, Volume 33, Issue 2, Page 405-423, June 2025.
Abstract Much work in history, anthropology, sociology, and political science has a narrative form — the events described are emplotted into stories. A number of recent critics of narrative have argued that the story form is a poor vehicle for social scientific explanation, as it often misleads us about the causal structure of the social world ...
Alexander Prescott‐Couch
wiley   +1 more source

ARTHUR DANTO E GIANNI VATTIMO: FIM DA ARTE, MASS MEDIA E ESTETIZAÇÃO

open access: yesKínesis, 2013
Este artigo objetiva apresentar as interpretações de Arthur Danto e Gianni Vattimo sobre a questão “fim da arte”, introduzida por Hegel em seus Cursos de Estética.
Cláudia Dalla Rosa Soares
doaj   +1 more source

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