Results 41 to 50 of about 74,352 (231)

Shaping expectations, losing flexibility: A study of CEO promises as strategic communication tools

open access: yesStrategic Management Journal, EarlyView.
Abstract Research Summary CEO promises are powerful but understudied communication tools. We develop a dual‐mechanism framework theorizing that while CEO promises elevate stakeholder expectations, they simultaneously constrain strategic flexibility. We argue that CEO promise‐making is shaped by two competing pressures: making more promises when the ...
Majid Majzoubi   +2 more
wiley   +1 more source

Piano Ensemble, April 22, 1991 [PDF]

open access: yes, 1991
This is the concert program of Piano Ensemble performance on Monday, April 22, 1991 at 12:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

Assessing the accuracy of field‐based versus laboratory methods for determining the age of roe deer

open access: yesWildlife Biology, EarlyView.
Accurate age determination in roe deer Capreolus capreolus is essential for selective harvesting and informed population management, yet field‐based methods widely used by hunters remain imprecise. This study compared field‐based and laboratory age determination methods in 204 harvested roe deer, categorized by sex and habitat type (forest versus open ...
Michael Manton   +4 more
wiley   +1 more source

Greco-Persian wars: View from Persia

open access: yesУченые записки Казанского университета: Серия Гуманитарные науки, 2017
The aim of this paper is to examine some of the evidences, both Old-Persian and Greek ones, which can reflect Persian views on the Greco-Persian wars. The paper is based on the comparative analysis of the Persian epigraphic material and Greek literary ...
E.V. Rung, E.A. Venidiktova
doaj  

2 Samuel 8

open access: yesTyndale Bulletin, 2001
2 Samuel 8 may reflect an inscription or text contemporary with the reign of King David. It has a number of features that could be explained if an inscription lay behind the biblical text, the most striking of which is its repetitive naming of the ...
Robert M. Good
doaj   +1 more source

Boston University Chamber Winds, April 25, 1984 [PDF]

open access: yes, 1984
This is the concert program of the Boston University Chamber Winds performance on Wednesday, April 25, 1984 at 8:00 p.m., at the Marshall Room, 855 Commonwealth Avenue. Works performed were "Chanson et Danses," Op.
School of Music, Boston University
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Multi‐site performance of the telemedicine retinopathy of prematurity severity score (tROP‐SS)

open access: yesActa Ophthalmologica, EarlyView.
Abstract Objective This study aims to evaluate the performance of the telemedicine retinopathy of prematurity severity score (tROP‐SS) across all 14 NICUs in the TELEROP cohort against the modified ROP activity score (mROP‐ActS). Design Retrospective cohort study. Subjects The study included 2037 neonates who underwent ROP screening in 14 NICUs via the
Sarthak V. Shah   +6 more
wiley   +1 more source

Recital: Ensemble for Pianists, April 29, 2016 [PDF]

open access: yes, 2016
This is the concert program of the Recital: Ensemble for Pianists on Friday, April 29, 2016 at 6:30 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were España, Rhapsody for 2 pianos by Emmanuel Chabrier, I. Vif and III.
School of Music, Boston University
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NePO: Neural Point Octrees for Large‐Scale Novel View Synthesis

open access: yesComputer Graphics Forum, EarlyView.
We introduce Neural Point Octrees (NePOs), a scalable radiance field representation that organises point clouds hierarchically for efficient optimisation and rendering of large scale scenes. NePOs enable level of detail selection, joint refinement of appearance and camera poses, and real‐time rendering of hundreds of millions of points.
Noah Lewis   +3 more
wiley   +1 more source

Piano Ensemble, December 8, 1989 [PDF]

open access: yes, 1989
This is the concert program of Piano Ensemble performance on Friday, December 8, 1989 at 6:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Le Carnaval des Animaux by Camille Saint-Saëns,
School of Music, Boston University
core  

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