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The First (and Second) Coming of David Foster Wallace’s Infinite Jest
Anglia, 2021Tore Rye Andersen
exaly
This chapter analyses Wallace’s comments on avant-garde art alongside his depictions of avant-garde artworks in Infinite Jest, Brief Interviews with Hideous Men, and Oblivion; I show that Wallace conceives of the avant-garde in terms of the crisis of trust that it creates between artist and audience.
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The poetic language of David Foster Wallace
Critique - Studies in Contemporary Fiction, 2019Mary Shapiro
exaly