Dipinti in the relieving chamber above the Bark Hall of the Hatshepsut Temple at Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2018 The paper presents ancient dipinti, both hieroglyphic and hieratic, traced in the relieving chamber above the Bark Hall of the Hatshepsut temple in Deir el-Bahari.
Miroslaw Barwik
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Two Portraits of Senenmut in the Hatshepsut Temple at Deir el-Bahari
Études et Travaux (Institute des Cultures Méditerranéennes et Orientales de l'Académie Polonaise des Sciences), 2021 Two graffiti of Senenmut from the Temple of Hatshepsut at Deir el-Bahari are presented in this paper: one located in the granite portal leading to the Upper Court of the temple, and another in the entrance to the Chapel of Thutmose I in the Royal ...
Mirosław Barwik
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(Un)usual? Glass finds from the site of the Hatshepsut Temple in Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2021 A group of glass shards recovered from the fill of shaft tombs from the Third Intermediate Period on the Upper Terrace of the Temple of Hatshepsut in Deir el-Bahari consists for the most part of non-diagnostic body vessel fragments. At least 17 different
Renata Kucharczyk
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Remarkable botanical remains from a new foundation deposit in the Hathor shrine of Tuthmosis III at Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2018 Numerous botanical remains have been found in a recently discovered foundation deposit of Tuthmosis III, in his Hathor shrine at Deir el-Bahari. Identification of 12 plants (cereals, fruits, branches and leaves) is proposed and the exceptional diversity ...
Nathalie Beaux
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Epigraphic notes on the aleph-sign (Gardiner G1) in the second half of the Eighteenth Dynasty [PDF]
Polish Archaeology in the Mediterranean, 2020 The paper proposes to consider the hieroglyphic writing of the aleph-sign (Gardiner G1) in royal monumental architecture as a dating criterion. A certain epigraphic feature of the sign appears to be particularly characteristic of the second half of the ...
Edyta Kopp
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The incense distribution scene from TT 39 – redistribution of economic goods to Deir el-Bahari and other locations in Western Thebes [PDF]
Polish Archaeology in the Mediterranean, 2021 Incense was an essential part of temple rituals during the New Kingdom. A relief scene of redistribution of this economic good, carved in the hall of the Theban tomb of Puimra (TT 39), a Second Priest of Amun in the early Eighteenth Dynasty, helps to ...
Jesus Trello Espada
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More items of funerary linen from the Deir el-Bahari burialassemblages [PDF]
Polish Archaeology in the Mediterranean, 2016 A corpus of funerary linen was found in the 2012/2013 season in one of the rock tombscut in the cliff bordering the Tuthmosis III temple platform in Deir el-Bahari during the work ofthe Polish–Egyptian Archaeological and Conservation Mission of the ...
Aleksandra Hallmann
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A new double foundation deposit in the Hathor Shrine of Tuthmosis III at Deir el-Bahari [PDF]
Polish Archaeology in the Mediterranean, 2018 A double foundation deposit was found in the souteastern part of the Tuthmosis III Hathor shrine at Deir el-Bahari. The architectural features, a pit with a niche at the bottom, confirm the dating of both of these deposits to the times of Tuthmosis III ...
Nathalie Beaux +2 more
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A “ghost” fragment from the chapel of Tuthmosis I in the Royal MortuaryCult Complex of the Hatshepsut Temple [PDF]
Polish Archaeology in the Mediterranean, 2016 A peculiar drawing of a part of the decoration of the Royal Mortuary Cult Complex inthe Hatshepsut temple at Deir el-Bahari, as copied once by Johannes Dümichen, is the subject ofthis paper.
Mirosław Barwik
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The iconography of co-rule at Deir el-Bahari: Hatshepsut andTuthmosis III in the Statue Room of the Main Sanctuary of Amun [PDF]
Polish Archaeology in the Mediterranean, 2016 Hatshepsut and Tuthmosis III were represented as seemingly equal kings on the sidewalls of the Second Room of the Main Sanctuary of Amun in the Temple of Hatshepsut in Deirel-Bahari.
Marta Sankiewicz
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