Results 261 to 270 of about 438,483 (295)
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Philosophy, 1981
In a famous passage in her book, Intention, Professor G. E. M. Anscombe argues that we can only render intelligible the idea of someone wanting a thing if we know under what aspect the person sees the thing as desirable. The wanted thing must be characterized by the wanter as desirable in some respect. ‘[What] is required for our concept of “wanting”’,
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In a famous passage in her book, Intention, Professor G. E. M. Anscombe argues that we can only render intelligible the idea of someone wanting a thing if we know under what aspect the person sees the thing as desirable. The wanted thing must be characterized by the wanter as desirable in some respect. ‘[What] is required for our concept of “wanting”’,
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1993
AbstractArgues against appeals to second‐order desires in order to explain freedom of the will, valuing, or values. Further points are that positive intentions are reflexive or self‐referential, that intrinsic desires are not just non‐instrumental desires, that to value something is in part to want it, that there is sometimes a difference between ...
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AbstractArgues against appeals to second‐order desires in order to explain freedom of the will, valuing, or values. Further points are that positive intentions are reflexive or self‐referential, that intrinsic desires are not just non‐instrumental desires, that to value something is in part to want it, that there is sometimes a difference between ...
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1987
"Brilliantly argued and lucidly written... the definitive psychoanalytic account of the repression of woman in Hollywood cinema." -Tania Modleski"... complex and challenging... " -The Women"s Review of Books"... magnificently ambitious... some of the most original and intelligent essays in film theory today." -Journal of Modern Literature"...
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"Brilliantly argued and lucidly written... the definitive psychoanalytic account of the repression of woman in Hollywood cinema." -Tania Modleski"... complex and challenging... " -The Women"s Review of Books"... magnificently ambitious... some of the most original and intelligent essays in film theory today." -Journal of Modern Literature"...
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2015
Like Zizek's theories, fantasy is derived from the psychoanalytic work of Freud and Lacan. The principal point for Lacan is that fantasy is setting for desire where fantasy provides the matrix through which subjects begin to desire. The object that consumes desire and therefore occupies the fantasy of subject must fall prey to the illusion that it is ...
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Like Zizek's theories, fantasy is derived from the psychoanalytic work of Freud and Lacan. The principal point for Lacan is that fantasy is setting for desire where fantasy provides the matrix through which subjects begin to desire. The object that consumes desire and therefore occupies the fantasy of subject must fall prey to the illusion that it is ...
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Witches and queerness have an intrinsic connection. The witch does not conform to social norms, has a disordered or peculiar body, and engages in perverse sexual acts. In this chapter, we explore the inherent queerness of the witch's body and how witchcraft techniques of ekstasis, including BDSM and “flying ointments,” queer the body.
Simon Clay, Emma Quilty
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Simon Clay, Emma Quilty
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2017
In this meditative and haunting memoir, renowned cultural critic Jonathan Dollimore recounts a life spent dedicated to understanding the delight and disorder of human desire. Through recollections of his struggles with depression, his discovery of love and literature and his adventures cruising in the gay subcultures of late twentieth-century New York,
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In this meditative and haunting memoir, renowned cultural critic Jonathan Dollimore recounts a life spent dedicated to understanding the delight and disorder of human desire. Through recollections of his struggles with depression, his discovery of love and literature and his adventures cruising in the gay subcultures of late twentieth-century New York,
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Theory and Decision, 1999
zbMATH Open Web Interface contents unavailable due to conflicting licenses.
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zbMATH Open Web Interface contents unavailable due to conflicting licenses.
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Journal of Homosexuality, 2006
The discourse of gay liberation reads silence surrounding personal participation in same-sex sexualized pleasures as a sign of repression, oppression and a positioning in the closet. In contrast, coming out is an important step towards accepting one's true homosexual self. The demand for the emancipation of the homosexual type further suggests that all
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The discourse of gay liberation reads silence surrounding personal participation in same-sex sexualized pleasures as a sign of repression, oppression and a positioning in the closet. In contrast, coming out is an important step towards accepting one's true homosexual self. The demand for the emancipation of the homosexual type further suggests that all
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Art History, 2001
This article traces various circuits – of allegory, history, viewership and desire –around the infamous sixteenth‐century French painting known as the Portrait of Gabrielle d’Estrées and one of her Sisters. It addresses not specific collecting practices, but the desires that might underlie them, attempting to theorize the intersection of desires for ...
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This article traces various circuits – of allegory, history, viewership and desire –around the infamous sixteenth‐century French painting known as the Portrait of Gabrielle d’Estrées and one of her Sisters. It addresses not specific collecting practices, but the desires that might underlie them, attempting to theorize the intersection of desires for ...
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Desiring desire in Visconti’s Ossessione
Journal of Romance Studies, 2012A considerable amount of critical literature on Luchino Visconti’s film Ossessione [Obsession] questions whether there is a “gay” storyline that subtends its narrative. This paper shifts the emphasis to the film’s representation of desire, which, it argues, is structured not through the pursuit of an object but a desire for desire itself.
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