Results 1 to 10 of about 31 (18)
Dexiosis: a meaningful gesture of the Classical antiquity
ILIRIA International Review, 2016 Dexiosis is a modern term referring to the handshaking motif appearing in ancient Greek art, which had specific meaning and symbolism. Though it was a characteristic iconographic element of the Classical antiquity, its roots can be traced back to the Archaic period.
Mgr. PhD. Lucia Nováková +1 more
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Dexiosis and Dextrarum Iunctio: The Sacred Handclasp in the Classical and Early Christian World
The FARMS Review, 2006 Dexiosis and Dextrarum Iunctio: The Sacred Handclasp in the Classical and Early Christian World On a recent trip to California to prowl through its exquisitely tasty academic libraries, my wife and I were told by friends that the Getty Museum, just a few
Stephen D. Ricks
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Neue Grabinschriften aus dem Museum von Bursa
GephyraDieser Aufsatz stellt zehn bislang unveröffentlichte Grabinschriften aus der Sammlung des archäologischen Museums von Bursa vor. Alle Grabsteine sind in Stelenform gearbeitet und weisen Reliefs auf, wie sie meistens von den Grabstelen der Region um Bursa
Berfu Tüzün
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Arkeolojik Eserlerde Dexiosis Jestinin Anlamı: İkonografik Bir İnceleme
Trakya Üniversitesi Edebiyat Fakültesi Dergisi, 2022 Temelde basit bir tokalaşma sahnesini tanımlayan dexiosis, içerik olarak dönemsel farklılıklara sahip ya da en azından zaman içerisinde bu temel anlamı dışında birçok farklı duygusal anlamları içinde barındıran bir simgedir. Bu simge, Antik Çağlar’da ikonografik olarak bilindiği kadarıyla Assur Krallığı’ndan Geç Antik Döneme değin farklı bölgeler ve ...
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Herakles’in On İki İşi Betimli Mozaik Hakkında Tespitler
Journal of Mosaic Research, 2012 Three pieces of mosaics depicting the labors of Heracles are exhibited in Istanbul Archeological Museum. These are the scenes of Heracles slaying the Nemean Lion, capturing the Erymanthean Boar and fetching the golden apples of the Hesperides.
Mehmet ÖNAL
doaj
SİNOPE’DEN HELLENİSTİK DÖNEME AİT İKİ MEZAR STELİ
, 2017 Suhal Sağlan, Fatma Bağdatlı Çam
semanticscholar +1 more source
Gravestones in Attica revived in the third quarter of the fifth century B.C., and during this period family and women iconography became popular motifs carved on the reliefs of the gravestones, instead of the dominant heroized male figures in the Archaic period.
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The Nemrud Da¿ Project: First Interim Report
, 2002 E. M. Moormann, M. J. Versluys
semanticscholar +1 more source
De l’ambivalence de la dexiosis à l’âge classique : l’exemple de la stèle de Samos
, 2019 openaire +2 more sources
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