Results 11 to 20 of about 245 (65)

Vox Populi, Vox Deorum? The Athenian document reliefs and the theologies of public inscription [PDF]

open access: yes, 2018
This article argues that, by concentrating on a reading of the depictions of deities on the Athenian document reliefs as symbolic representations of states rather than as divinities, previous scholarly approaches to them have failed to explore the role ...
Mack, William
core   +1 more source

Painted panoplies: antiquarian study of the weapons painted in a tomb in Paestum, found in 1854 [PDF]

open access: yes, 2013
En el marco de un estudio sobre la circulación de las corazas anatómicas metálicas y la comprensión de su distribución se ha revisado el catálogo de sus evidencias iconográficas.
Graells i Fabregat, Raimon
core   +2 more sources

Marqueurs de tombes d’enfants à Alexandrie : de nouveaux documents peints [PDF]

open access: yes, 2020
This paper studies two unedited painted plaques from the collection of the museum of the University of alexandria. One shows a young child playing with domestic animals (a dog, a bird), the other a seated woman with a baby and a little girl.
Guimier-Sorbets, Anne-Marie
core   +1 more source

Herakles’in On İki İşi Betimli Mozaik Hakkında Tespitler

open access: yesJournal of Mosaic Research, 2012
Three pieces of mosaics depicting the labors of Heracles are exhibited in Istanbul Archeological Museum. These are the scenes of Heracles slaying the Nemean Lion, capturing the Erymanthean Boar and fetching the golden apples of the Hesperides.
Mehmet ÖNAL
doaj  

Un altare funerario con scena di filatura dal territorio friulano [PDF]

open access: yes, 2012
In this paper I will examine a Roman funerary altar preserved in a church of a town near Tolmezzo (in the Friuli Venezia-Giulia region) that presents in the left side a very unusual motiv, the image of a spinning woman.
Sperti, L.
core  

Empowering Images: Negotiating the Identity of Authority through Material Culture in the Hellenistic East, 140-38 BCE [PDF]

open access: yes, 2014
During the late-second to first century BCE, Tigranes II the Great of Armenia (140-55 BCE), Antiochos I Theos of Commagene (ca. 86-38 BCE), and Mithridates VI Eupator of Pontus (134-63 BCE) employed multivalent imagery to legitimize their positions and ...
Hwang, HyoSil Suzy
core   +1 more source

The role of Gestures in Greek Funerary Iconography from the Mycenaean to Late Classical Periods [PDF]

open access: yes, 2012
Since the dawn of early man, gesture has served as an important means of communication. As such, the use of gesture was essential in ancient Greek art as a way of communicating meaning to the viewer.
Thomas, Hugh Patrick Morris
core  

Commagenian Glocalization and the Matter of Perception – An Innovative Royal Portrait from Samosata [PDF]

open access: yes
Das späthellenistische Königreich Kommagene zwischen Euphrat und Taurus sowie dessen archäologische Hinterlassenschaften werden häufig als zwischen ›griechischen‹ und ›persischen‹ Einflüssen stehend betrachtet.
Riedel, Stefan   +2 more
core   +2 more sources

Sarcophages et klinai. À propos de la représentation du couple dans l’art grec [PDF]

open access: yes, 2016
À propos des couples sculptés à demi-couchés qui ornent les couvercles des sarcophages étrusques de Cerveteri, conservés respectivement au Louvre et au Musée de la Villa Giulia, on n’a guère tardé à découvrir et à commenter l’influence des modèles grecs.
Pasquier, Alain
core   +1 more source

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