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Why Digital Art History? [PDF]
Visual Resources, 2014 In February 2014, eighty participants gathered at Columbia College, in downtown Chicago, in the two days leading up to the annual College Art Association (CAA) conference. This gathering was the second THATCamp to take place in conjunction with CAA's annual conference (the first occurred at CAA 2013 in New York City).
Millar Fisher, Michelle +2 more
core +4 more sources
Art History and the Digital Humanities [PDF]
Zeitschrift für Kunstgeschichte, 2016 Invited response to "Hubertus Kohle, "Kunstgeschichte und Digital Humanities. Einladung zu einer Debatte/Art History and the Digital Humanities. Invitation to a Debate"
Max Marmor
openaire +3 more sources
Digital art history : la scène américaine [PDF]
Perspective, 2015 Aux Etats-Unis comme ailleurs, l’introduction et l’evolution ininterrompue des technologies numeriques dans la recherche, l’edition et l’enseignement de l’histoire de l’art depuis les annees 1980 ont modifie la discipline en profondeur. L’abandon des diapositives au profit d’images numerisees est communement designe comme l’un des premiers signes ...
Johanna Drucker +3 more
doaj +3 more sources
Digital Humanities for art history 2022: A snapshot [PDF]
Journal of Art Historiography, 2022 The Summer School dedicated to Digital Humanities (DH) for Art History, held between 27 June and 1 July 2022 at the Department of Excellence of the Department of Human Sciences (DSU Scienze Umane) of the University of L’Aquila, represented a singular ...
Andrew Hopkins
doaj +3 more sources
Art Markets and Digital Histories [PDF]
Arts, 2019 This Special Issue of Arts investigates the use of digital methods in the study of art markets and their histories. Digital art history or historical research facilitated by computer-technology in general is omnipresent in academia and increasingly ...
Sandra van Ginhoven, Claartje Rasterhoff
doaj +4 more sources
Digital art history: the American scene [PDF]
Perspective, 2015 An interview with three American historians of art on the the past, present, and future of digital art history.
Johanna Drucker +3 more
doaj +2 more sources
Towards digital Islamic art history’ [PDF]
Journal of Art Historiography, 2012 The advent of digital humanities now poses the primary historiographical challenge for contemporary and future historians of Islamic art. No longer simply tools to archive and exchange information, digital humanities technologies are evolving into ...
Hussein Keshani
doaj +1 more source
A SEMI-AUTOMATED METHODOLOGY FOR 3D IMAGING OF LARGE VAULTED CEILING PAINTINGS [PDF]
The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, 2023 3D imaging of large painted and vaulted historic ceilings offers many challenges, including those due to complex small and large-scale geometry, environmental conditions and limited access.
J. Hindmarch +3 more
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A REVIEW OF THE CULTURAL HERITAGE LINKED OPEN DATA ONTOLOGIES AND MODELS [PDF]
The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, 2023 In recent years, there has been a trend towards synergies among cultural heritage institutions, such as GLAM (Galleries, Libraries, Archives & Museums) collaborations in the field of information resource management.
F. Liu, J. Hindmarch, M. Hess
doaj +1 more source
A FLEXIBLE WORKFLOW FOR MULTIMODAL 3D IMAGING OF VAULTED PAINTED CEILINGS IN HIGH DETAIL [PDF]
ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences, 2023 3D imaging is an increasingly common tool for the investigation of cultural heritage. Painted ceilings offer particular challenges as the art historical requirements necessitate highly detailed and accurate capture of colour textures with sub-millimetre ...
J. Hindmarch, M. Burioni, M. Hess
doaj +1 more source