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History Compass, 2021
Abstract The past decade has seen tremendous growth and innovation in the use of digital resources, methods, and tools in the history of art and architecture. While digital art history is less developed than text‐based disciplines, the emergence of new digital standards for visual and spatial data, and advances in computer vision are ...
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Abstract The past decade has seen tremendous growth and innovation in the use of digital resources, methods, and tools in the history of art and architecture. While digital art history is less developed than text‐based disciplines, the emergence of new digital standards for visual and spatial data, and advances in computer vision are ...
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Is There a “Digital” Art History?
Visual Resources, 2013The field of art history faces unique challenges with regard to digital practice. While access and availability of the art historical corpus have been facilitated by the development of online repositories, tools for analysis or computational processing have been slow to emerge.
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The Art Bulletin, 2015
The online version of the present issue features the first digital supplement to a feature article in The Art Bulletin, for Halle O'Neal's essay, “Performing the Jeweled Pagoda Mandalas.” This anim...
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The online version of the present issue features the first digital supplement to a feature article in The Art Bulletin, for Halle O'Neal's essay, “Performing the Jeweled Pagoda Mandalas.” This anim...
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Integrating digital art practice and art history studies
ACM SIGGRAPH 2007 educators program, 2007Many professionals in the digital art and design industry emphasize the importance of classical art skills and knowledge as a foundation for creating digital art. As an art educator and theorist, I am trying to bridge the gap between traditional art theory and contemporary studio practice.
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Art History and the Digital World
Art Journal, 2006On June 8–9, 2006, the Getty Research Institute in Los Angeles hosted a workshop, “Art History and the Digital World,” cosponsored by the GRI and the College Art Association. The workshop, organized by Murtha Baca, head of the Getty Vocabulary Program and Digital Resource Management at the GRI, and William Tronzo of the CAA Board of Directors ...
Murtha Baca, William Tronzo
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Digital Culture and the Practices of Art and Art History
The Art Bulletin, 1997Part of a symposium on how digital technologies affect the practices of art and art history. The writer discusses new possibilities and problems that arise from the introduction of digital imagery and networking into the teaching of art history. New computer-based technologies confront teachers of art with many opportunities, but a great deal remains ...
Kathleen Cohen +6 more
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2018
This article responds to two issues affecting the field of contemporary art history: digital technology and the so-called computational turn in the humanities. It is divided into two parts: the first connects problems with “digital art history,” an offspring of digital humanities, to neoliberal metrics; the second suggests how digital art history’s ...
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This article responds to two issues affecting the field of contemporary art history: digital technology and the so-called computational turn in the humanities. It is divided into two parts: the first connects problems with “digital art history,” an offspring of digital humanities, to neoliberal metrics; the second suggests how digital art history’s ...
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Integrating Digital Images into the Art and Art History Curriculum
Journal of Library Administration, 2003An Internet-based image database connects to an in-class teaching and learning tool for easy access to art.
Sharon P. Pitt +2 more
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A “Digital Revolution” in Art History – An Example of Research in Digital Art History
2019In her 2013 article entitled “Is There a ‘Digital’ Art History?” Johanna Drucker compared the influence of using new digital tools and methods in art history to that of the introduction of critical theory in art history during the 1980’s, highlighting simultaneously one crucial difference: while the impetus for using critical theory in art-historical ...
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