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Network Analysis + Digital Art History

In this multi-authored essay, thirteen participants in the 2019-2022 Getty Advanced Workshop on Network Analysis + Digital Art History (NA+DAH) discuss their experiences learning and working together at the intersection of these two fields of inquiry.
Langmead, Alison, Helmreich, Anne, Ladd, John, Gao, Jin, Lin, Yi-Hsin, Palmer, Richard, Posthumus, Etienne, Zhang, Hongxing, Brosens, Koenraad, Beerens, Rudy Jos, De Prekel, Inez, Lamqaddam, Houda, Micklewright, Nancy, Mirza, Sana, Simavi, Zeynep, Smith, Jeffrey   +15 more
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Integrating digital art practice and art history studies

ACM SIGGRAPH 2007 educators program, 2007
Many professionals in the digital art and design industry emphasize the importance of classical art skills and knowledge as a foundation for creating digital art. As an art educator and theorist, I am trying to bridge the gap between traditional art theory and contemporary studio practice.
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Art History and the Digital World

Art Journal, 2006
On June 8–9, 2006, the Getty Research Institute in Los Angeles hosted a workshop, “Art History and the Digital World,” cosponsored by the GRI and the College Art Association. The workshop, organized by Murtha Baca, head of the Getty Vocabulary Program and Digital Resource Management at the GRI, and William Tronzo of the CAA Board of Directors ...
Murtha Baca, William Tronzo
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Is There a “Digital” Art History?

Visual Resources, 2013
The field of art history faces unique challenges with regard to digital practice. While access and availability of the art historical corpus have been facilitated by the development of online repositories, tools for analysis or computational processing have been slow to emerge.
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Data Science and Digital Art History

2015
International Journal for Digital Art History, No 1 (2015), Starting Point and Frequency: Number: 1, Year ...
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Digital Art History: A Community Assessment

Visual Resources, 2013
In 2011, the Samuel H. Kress Foundation, in conjunction with the Roy Rosenzweig Center for History and New Media at George Mason University, Fairfax, Virginia, sponsored a survey of the art history community to clarify the field's perceptions about digital art history and its impact on the discipline.
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Magnetic resonance linear accelerator technology and adaptive radiation therapy: An overview for clinicians

Ca-A Cancer Journal for Clinicians, 2022
William A Hal, X Allen Li, Daniel A Low
exaly  

Zeolites in Adsorption Processes: State of the Art and Future Prospects

Chemical Reviews, 2022
Eduardo Pérez-Botella, Susana Valencia, Fernando Rey   +2 more
exaly  

A “Digital Revolution” in Art History – An Example of Research in Digital Art History

2019
In her 2013 article entitled “Is There a ‘Digital’ Art History?” Johanna Drucker compared the influence of using new digital tools and methods in art history to that of the introduction of critical theory in art history during the 1980’s, highlighting simultaneously one crucial difference: while the impetus for using critical theory in art-historical ...
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Management of glioblastoma: State of the art and future directions

Ca-A Cancer Journal for Clinicians, 2020
Aaron Tan, David M Ashley, Giselle Lopez
exaly