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A Model for Digital Content Management

Proceedings of 4th International Conference on Data Management Technologies and Applications, 2015
Digital libraries work in complex and heterogeneous scenarios. The quantity and diversity of resources, together with the plurality of agents involved in this context, and the continuous evolution of user-generated content, require knowledge to be formally and flexibly organized.
Filippo Eros Pani   +2 more
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Mapping Digital Media Content

2019
The paper suggests that a variety of newly emerged/emerging journalistic forms have enriched online media content. The authors define these as innovative textual, audio, pictorial, and/or video techniques for presenting journalistic production. By examining digital content across both desktop and mobile-based platforms of media organisations, the ...
Stella Angova   +4 more
openaire   +1 more source

Visualization, Digital Content, and Simulation

IEEE Multimedia, 2009
One meaning for visualization is aligned with more modern concepts of digital content and simulation. Nowadays, digital content consists of more than just audiovisual pieces; it also consists of software and interface devices. Digital content production has become sophisticated simulation work, involving light, motion, physics, and behavior.
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The Digitization of Contents in Digital Libraries

2011
The present chapter deals with the challenges faced by moral rights in the digital environment, especially as they pertain to digital libraries. It starts with an introduction to issues concerning the legal framework of moral rights, clarifying their position internationally.
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Interoperable Protection for Digital Multimedia Content

Journal of VLSI signal processing systems for signal, image and video technology, 2003
zbMATH Open Web Interface contents unavailable due to conflicting licenses.
Bart J. van Rijnsoever   +2 more
openaire   +2 more sources

Digital contents

2006
Will content providers, from books to the dayly press, be ready for the coming tsunami caused by the spread of technology, mobility, a different perception of the value of copyright, social inclusion and precarious access to income?
openaire   +1 more source

Proving Ownership of Digital Content

2000
Protection of digital property has become crucial in the widespread and rapidly growing use of digital media. Making the misuse of copyrighted works detectable, and thus deterring people from misuse, is the most promising measure currently known. To achieve this, most proposals apply watermarking techniques and focus on resolving the ownership in ...
AndrĂ© Adelsbach   +2 more
openaire   +1 more source

Making Digital Library Content Interoperable

2010
The demand for powerful and rich Digital Libraries able to support a large variety of interdisciplinary activities has increased the need for "building by re-use" and sharing, especially when dealing with the content space. Interoperability is a central issue to satisfy these needs.
Candela L, Castelli D, Thanos C
openaire   +2 more sources

Content-Based Classification of Digital Photos

2002
Annotating images with a description of the content can facilitate the organization, storage and retrieval of image databases. It can also be useful in processing images, by taking into account the scene depicted, in intelligent scanners, digital cameras, photocopiers, and printers. We present here our experimentation on indoor/outdoor/close-up content-
Brambilla, C   +2 more
openaire   +3 more sources

Embrace and Tame the Digital Content

2006
Typically, on a daily basis, large amounts of video content are processed by broad-casting stations. This includes from ingest to cutting packages and eventual transmis-sion and storage. New digital broadcast systems are being put in place and these sys-tems are enabling the transition from tape-based to file-based workflow.
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