Results 1 to 10 of about 4,625 (258)
Omeka Classic. Un environnement de recherche pour les éditions scientifiques numériques
This review focuses on Omeka, an open-source Content Management System (CMS), which has been specifically designed for the management and the display of digitized historical content.
Elina Leblanc
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The webinar “Medieval archival sources in the digital world. The challenge of treating and visualizing semi-structured data”, organized by the Digital Culture Laboratory (UNIPI) and by the Engineering Historical Memory project. This thematic dossier aims
Enrica Salvatori
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A Progress Report on The Piers Plowman Electronic Archive
This article discusses the early history, current publications, and future directions of the The Piers Plowman Electronic Archive (PPEA). It begins with account of the project's origins in computer assisted analysis of Middle English alliterative meter ...
Renaud Beeckmans
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Considering The Waste Land for iPad and Weird Fiction as models for the public digital edition
What is the best model for public-facing digital literary editions? In 2011, Touch Press released The Waste Land for iPad, an interactive tablet application showcasing T.S. Eliot's notorious 1922 poem The Waste Land. From an academic editorial standpoint,
Alyssa Arbuckle
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The Visual [Re]Presentation of Textual Data in Traditional and Digital Critical Editions
The prospect of breaking free from the confines of the printed page drives much of the interest in digital critical editions; yet the format of traditional editions in print remains an effective and efficient information visualization. This paper will
Huskey, Samuel
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Cædmon’s Hymn is the name given to a poem recorded in Old English in some manuscripts of Bede’s Historia Ecclesiastica, an ecclesiastical history of the English people written in the early eighth century at Wearmouth-Jarrow in Northumbria.
Peter A. Stokes
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Proto-editions: Historians and the "Something between digital image and digital scholarly edition"
The paper discusses forms of digital representation of texts that become only available through digital means, in particular the combined publication of digital images and structured data, which I suggest to call "proto-edition".
openaire +4 more sources
Scholarly editions in print and on the screen: A theoretical comparison
Since the advent of digital scholarly editions, there have been many arguments to the effect that digital versions are able to offer more to humanities scholars than printed ones. Though this opinion is shared by most scholars producing digital editions,
Daniel Sondheim +5 more
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Some Digital Editions and Some Remaining Challenges
While the digital edition has made enormous progress since the advent of the web, there is also much that we still don't know how to achieve. I examine a number of editions and some things they have taught us.
Peter Boot
doaj
The paper introduces the phenomenon of semantic editions: a new digital representation of texts and personalities of the Great Literature, e. g., The World of Dante, Mapping the Republic of Letters, Chekhov Digital, Tolstoy Digital, and Pushkin Digital ...
Anastasia V. Kolmogorova
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