Results 11 to 20 of about 113,344 (283)
Homo Electromagneticus II: Paradigms and Paradoxes
Performance Philosophy, 2023 Homo Electromagneticus is a musical performance realized in 2022 through a set of original instruments created with open-source and low-cost technologies.
Alexandre Bento
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Quantitative evaluation of aspects of embodiment in new digital musical instruments
New Interfaces for Musical Expression, 2022 This paper discusses a quantitative method to evaluate whether an expert player is able to execute skilled actions on an unfamiliar interface while keeping the focus of their performance on the musical outcome rather than on the technology itself. In our
A. Guidi, Andrew Mcpherson
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Arts, 2023 The physics-based design and realization of a digital musical interface asks for the modeling and implementation of the contact-point interaction with the performer. Musical instruments always include a resonator that converts the input energy into sound,
Marius George Onofrei +2 more
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Ever-shifting roles in building, composing and performing with digital musical instruments
Journal of New Music Research, 2021 It is widely accepted that computational technologies shape the relationship of musicians, instrument builders and composers with music, affecting various socio-cultural realisms in music.
Koray Tahiroglu
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Designing accessible musical instruments by addressing musician-instrument relationships
Frontiers in Computer Science, 2023 This article explores the concept of intimacy in the relationship between a musician and their instrument, specifically in the context of designing digital and accessible musical interfaces (DMI/AMI) with disabled musicians. We argue that current DMI/AMI
Andrew McMillan, Fabio Morreale
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Wearable Technologies, 2022 Inclusive musical instruments benefit from incorporating wearable interfaces into digital musical instrument design, creating opportunities for bodily felt experiences and movement-based interactions.
Doga Cavdir, Ge Wang
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Journal of New Music Research, 2021 This special issue, arising from a symposium in Helsinki in 2019, presents contributions from a diverse group of practitioners, representing a broad range of approaches in the making, thinking and writing about digital musical instruments.
Koray Tahiroglu, Thor Magnusson
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The presence of computers in Yugoslav popular music of the second half of the 1980s [PDF]
Muzikologija, 2022 This article is the result of my research of Yugoslav pop music discography in the second half of the 1980s, focused on the processes of implementation of digital musical instruments and general-purpose computers into music production - as ...
Milojković Milan
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Symposium on Spatial User Interaction, 2021 Smartphone applications that allow users to enjoy playing musical instruments have emerged, opening up numerous related opportunities. However, it is difficult for deaf and hard of hearing (DHH) people to use these apps because of limited access to ...
Ryo Iijima +3 more
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The EyeHarp: A Gaze-Controlled Digital Musical Instrument [PDF]
Frontiers in Psychology, 2016 We present and evaluate the EyeHarp, a new gaze-controlled Digital Musical Instrument, which aims to enable people with severe motor disabilities to learn, perform, and compose music using only their gaze as control mechanism. It consists of (1) a step-sequencer layer, which serves for constructing chords/arpeggios, and (2) a melody layer, for playing ...
Vamvakousis, Zacharias, Ramirez, Rafael
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