Results 21 to 30 of about 265 (104)

Editorial philology and canon. Texts, collections and complete works from paper to digital

open access: yesPrassi Ecdotiche della Modernità Letteraria, 2017
The so called ‘Editorial Philology’ has recently been considered as a category of Modern Philology, in particular a sub-category of 20th Century Philology.
Paola Italia
doaj   +1 more source

Review: Italia, Paola. 2020. Editing Duemila. Per una filologia dei testi digitali. Roma: Salerno

open access: yesUmanistica Digitale, 2020
This contribution offers a review of the last Paola Italia's volume, Editing Duemila, which focuses on the impact of the digital revolution on writing, publishing, and reading.
Miryam Grasso
doaj   +1 more source

Le positionnement éditorial dans l’édition critique numérique

open access: yesDigital Studies, 2019
Critical editing is a practice whose contours have been well established by the philological tradition. The different critical conventions are well known and have been subject to a myriad of scientific studies.
Joana Casenave
doaj   +2 more sources

The Extended Digital Scholarly Edition of “The Name of the Rose”: modelling, workflow and the IDEA paradigm

open access: yesUmanistica Digitale, 2023
The paper presents the Digital Scholarly Edition of Umberto Eco's The Name of the Rose characterized since its conception by the dialogue between Digital Philology and Computational Literary Criticism in a interdisciplinary perspective called 'IDEA ...
Christian D'Agata
doaj   +1 more source

Methods in Digital Philology

open access: yes, 2021
Files included These are the slides and the video registration of a talk that I gave online for the Lady Margaret Hall College, Oxford, as part of the Textual Criticism Lecture Series. The slideshow was originally created with RevealJS, then exported to PDF.
openaire   +2 more sources

Querying Variants: Boccaccio’s ‘Commedia’ and Data-Models

open access: yesDigital Medievalist, 2019
This paper presents the methodology and the results of an analytical study of the three witnesses of Dante’s Commedia copied by Giovanni Boccaccio, focusing on the importance of their digital accessibility.
Elena Spadini, Sonia Tempestini
doaj   +2 more sources

The Ovi’s digital projects

open access: yesGriseldaonline, 2021
The paper offers an overview of the digital projects in progress at the Cnr Institute Opera del vocabolario italiano in Florence, specialized in historical lexicography and in the development of software for lexicography, and now active in the European ...
Paolo Squillacioti
doaj   +1 more source

Recensione: Mancinelli, Tiziana, e Elena Pierazzo. 2020. Che cos’è un’edizione scientifica digitale. Roma: Carocci

open access: yesUmanistica Digitale, 2020
This paper offers a review to Mancinelli, Tiziana, e Elena Pierazzo. 2020. Che cos’è un’edizione scientifica digitale. Roma: Carocci (Bussole), pp. 125, ISBN: 978-8843099054.
Anna Cappellotto
doaj   +1 more source

Neither Telling nor Describing. Reflective Passages and Perceived Reflectiveness 1700–1945

open access: yesJournal of Computational Literary Studies
The paper analyses within-fiction reflections in 250 years of literary history. To this end, we formalised the concept of “reflective passage”, demonstrate how our annotation categories are deduced from literary theory and derive three subphenomena ...
Anke Holler   +8 more
doaj   +2 more sources

Responsible Philology: Editing the Kaiserchronik in the Digital Age

open access: yesDigital Philology: A Journal of Medieval Cultures, 2017
This essay considers the problem of normalized orthography in critical editions of Middle High German texts. Whether the orthographical conventions that crystallized in nineteenth-century philology present a reliable picture of medieval manuscript spelling is a question that has long been debated by editors and historians of the German language.
Chinca, M, Young, CJ
openaire   +2 more sources

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