Results 51 to 60 of about 541 (178)
Mystic doubt: In search of pure consciousness
AbstractTranscendental Meditation (TM) holds that the essence of reality is “pure consciousness.” This piece contrasts three interpretations of their meditative trance: (i) TM doctrine, and (ii) scientific physicalism, (iii) with my own meditative experience.
Olof Ohlson
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Religion and Spirituality in Addiction Recovery
ABSTRACT This article addresses the role of religion and spirituality in addiction recovery, the difficulties concomitant with studying this necessarily interdisciplinary subject, and the possibilities that an expanded understanding of addiction as a historical and cultural phenomenon offers.
Jennifer Lois Hahn
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“Seven Against Thebes” in Mythopoetics of Vyach. Ivanov [PDF]
The article offers an interpretation of Vyach. Ivanov’s dithyramb “Tsari” from his book “Kormchie zvezdy,” namely its final part, written in verset. The seven kings are celebrating a feast when the priest Melamp comes; he transforms the liquids in the ...
Liia L. Ermakova
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Dionysus Against the Crucified: Nietzsche Contra Christianity, Part 1
This is the first part of a two-part study of Nietzsche and Christianity. Nietzsche’s phrase ‘Dionysus against the Crucified’ is used as a kind of text for the articles.
Stephen N. Williams
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Intrahepatic umbilical vein: An underutilized access site for intrauterine transfusion
Pregnancy, Volume 1, Issue 6, November 2025.
Kenneth J. Moise Jr, Erin E. Moise
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Laodikeia’dan Volütlü ve Üç Tutamaklı Kandil
Laodikeia Antik Kenti’nde 2003 yılından itibaren yapılan sistemli kazı çalışmalarında ilk yerleşmenin MÖ 5500 yıllarında başladığı ve kesintiye uğramadan MS 7. yüzyılın başlarında meydana gelen yıkıcı depreme kadar devam ettiği tespit edilmiştir.
Celal Şimşek
doaj
La danse dithyrambique dans le fragment 70b S.‑M. de Pindare
The first part of fragment 70b S.‑M. of Pindar, excerpted from a Theban dithyramb, depicts various gods in a dance scene organized in honor of Dionysus, who observes the scene.
Sarah Müller-Moaty
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The rites in the mysteries of Dionysus: the birth of the drama
The Greek drama can be apprehended as an extended ritual, originating in the ceremonies of the Dionysus cult. In particular, tragedy derived its origin from the sacrifice of goats and the hymns which were sung on that occasion.
Britt-Mari Näsström
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The Religious Landscape of the Roman Phrygia
Religious Studies Review, Volume 51, Issue 3, Page 745-747, September 2025.
A.D. Rizakis
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