Results 1 to 10 of about 19,349 (149)

Paesaggi dipinti

Eikón Imago, 2020
In questo articolo si esaminano le immagini relative a strade, insediamenti ed elementi del paesaggio dell’Apulia et Calabriaraffigurate nei segmenti 5,2-5 e 6,1-2 della Tabula Peutingeriana, carta stradale picta redatta tra la metà e la fine del IV ...
Luciano Piepoli
doaj   +3 more sources

Spectroscopic Investigations of a Vandalized Contemporary Acrylic Painting on Canvas Using Model Paintings and Chemometrics. [PDF]

Chempluschem
Sequentially shifted excitation (SSE) Raman results on artificiallyaged acrylic‐based model paints and Tela (1973) canvas painting by Griffa suggest the surface enrichment in surfactant. Vandalic trait, with an orange felt‐tip pen, consists of an acrylic binder and azo‐dyes.
Striova J, Innocenti S, Ingrassia A, Bertasa M, Salvadori B.   +4 more
europepmc   +2 more sources

Amphorae found during excavations for construction of the NAIM – BAS base in Pliska, Bulgaria

Приноси към българската археология, 2022
This paper presents the results of the analysis of amphorae found during excavations for construction of the new archaeological base of NAIM – BAS in Pliska.
Evelina Todorova
doaj   +3 more sources

Ramesside Inscriptions and Preparatory Sketches in the Western Wall of Portico of Obelisks of Hatshepsut’s Temple at Deir el-Bahari

Études et Travaux (Institute des Cultures Méditerranéennes et Orientales de l'Académie Polonaise des Sciences), 2021
The representations of all the gods on the western wall of the Portico of Obelisks in Hatshepsut’s temple at Deir el-Bahari were destroyed during the Amarna period and restored under the reign of Ramesses II.
Ewa Józefowicz
doaj   +1 more source

Christian Secondary Epigraphy in the Temple of Hatshepsut. Some New Remarks

Études et Travaux (Institute des Cultures Méditerranéennes et Orientales de l'Académie Polonaise des Sciences), 2021
Reusage was a common phenomenon in the ancient world. Throughout the history of Egypt, from the very early beginnings until modern times, tombs, temples, quarries or loose architectural elements were adapted for new purposes. The Temple of Hatshepsut in
Aleksandra Pawlikowska-Gwiazda
doaj   +1 more source

New Prayers and Invocations to Hathor among Unpublished Dipinti from the Thutmose III Temple at Deir el-Bahari

Études et Travaux (Institute des Cultures Méditerranéennes et Orientales de l'Académie Polonaise des Sciences), 2021
This paper presents a group of nine fragmentarily preserved dipinti from the Temple of Thuthmose III in Deir el-Bahari. The pieces belong to the corpus of dipinti discovered by the Polish Archaeological Mission at the beginning of the 1960s, the bulk of
Mirosław Barwik
doaj   +1 more source

An ʿAqaba/Ayla‐type amphora in the sultanate of Oman

Arabian Archaeology and Epigraphy, Volume 34, Issue 1, Page 119-127, November 2023., 2023
Abstract Antique trade amphorae illuminate a little understood but important find category for Arabia, still in the twilight of publication. Most of the find data lie buried in unpublished work regarding recent excavations at ʿAqaba/Ayla. Recent research has verified mineralogically the origin of these documents and their dating.
Paul A. Yule
wiley   +1 more source

Dipinti in the relieving chamber above the Bark Hall of the Hatshepsut Temple at Deir el-Bahari [PDF]

Polish Archaeology in the Mediterranean, 2018
The paper presents ancient dipinti, both hieroglyphic and hieratic, traced in the relieving chamber above the Bark Hall of the Hatshepsut temple in Deir el-Bahari.
Miroslaw Barwik
doaj   +1 more source

Staging the Imagined City: Aretino in Rome and London

Renaissance Studies, Volume 37, Issue 2, Page 268-291, April 2023., 2023
Abstract This article explores the theme of ‘cityscapes’, and Aretino as a writer of the urban experience, by focussing on the city as an unknowable and anonymous space, especially to social outsiders. It will first examine how Aretino portrays Rome in his early comedy Cortigiana (1525) as a confusing and socially stratified space when experienced from
Kate De Rycker
wiley   +1 more source

A visual testament by Luca Riva, a deaf and mute pupil of the Procaccini

Renaissance Studies, Volume 36, Issue 2, Page 222-251, April 2022., 2022
Abstract The paper investigates the visual testament by Luca Riva, a mute and deaf artist who studied in Milan under Camillo Procaccini. Dated 9 September 1624, the document consists of twelve folios bound together in a small volume. On the sheets, ten brown‐ink drawings illustrate the beneficiaries of Riva’s testament, identifying the inheritance ...
Angelo Lo Conte
wiley   +1 more source