Results 11 to 20 of about 19,418 (149)
Spectroscopic Investigations of a Vandalized Contemporary Acrylic Painting on Canvas Using Model Paintings and Chemometrics. [PDF]
ChempluschemSequentially shifted excitation (SSE) Raman results on artificiallyaged acrylic‐based model paints and Tela (1973) canvas painting by Griffa suggest the surface enrichment in surfactant. Vandalic trait, with an orange felt‐tip pen, consists of an acrylic binder and azo‐dyes.
Striova J +4 more
europepmc +2 more sources
An ʿAqaba/Ayla‐type amphora in the sultanate of Oman
Arabian Archaeology and Epigraphy, Volume 34, Issue 1, Page 119-127, November 2023., 2023 Abstract Antique trade amphorae illuminate a little understood but important find category for Arabia, still in the twilight of publication. Most of the find data lie buried in unpublished work regarding recent excavations at ʿAqaba/Ayla. Recent research has verified mineralogically the origin of these documents and their dating.
Paul A. Yule
wiley +1 more source
Staging the Imagined City: Aretino in Rome and London
Renaissance Studies, Volume 37, Issue 2, Page 268-291, April 2023., 2023 Abstract This article explores the theme of ‘cityscapes’, and Aretino as a writer of the urban experience, by focussing on the city as an unknowable and anonymous space, especially to social outsiders. It will first examine how Aretino portrays Rome in his early comedy Cortigiana (1525) as a confusing and socially stratified space when experienced from
Kate De Rycker
wiley +1 more source
A visual testament by Luca Riva, a deaf and mute pupil of the Procaccini
Renaissance Studies, Volume 36, Issue 2, Page 222-251, April 2022., 2022 Abstract The paper investigates the visual testament by Luca Riva, a mute and deaf artist who studied in Milan under Camillo Procaccini. Dated 9 September 1624, the document consists of twelve folios bound together in a small volume. On the sheets, ten brown‐ink drawings illustrate the beneficiaries of Riva’s testament, identifying the inheritance ...
Angelo Lo Conte
wiley +1 more source
The snake in the mandala: dialogical aspects of Jung’s ‘A study in the process of individuation’
Journal of Analytical Psychology, Volume 65, Issue 2, Page 389-407, April 2020., 2020 Abstract Jung’s study centres on the amplification of pictures painted by a woman patient and posits their sequence as evincing the initial stages of the individuation process. His text performs a dialogue with its audience whereby Jung persuades us of this truth, and also reveals Jung’s dialogue with his patient and with his own ideas.
Raya Jones
wiley +1 more source
Atlante di Palazzo Buonaccorsi /Atlas of Palazzo Buonaccorsi
Il Capitale Culturale: Studies on the Value of Cultural Heritage, 2018 Atlante delle immagini dei dipinti di Palazzo Buonaccorsi /Atlas of the Palazzo Buonaccorsi ...
Comitato editoriale
doaj +1 more source
“God’s Grace is a Gain”: Dipinti on a Sixth- Century Amphora from Trimammium
Open Archaeology, 2018 The paper publishes an amphora with dipinti from the sixth century AD, found in the military camp of Trimammium on the Lower Danube limes (the Late Antique province of Moesia Secunda).
Sharankov Nicolay, Varbanov Varbin
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New Dipinti in the Birth Portico of the Hatshepsut Temple at Deir el-Bahari
Études et Travaux (Institute des Cultures Méditerranéennes et Orientales de l'Académie Polonaise des Sciences), 2018 The subject of the present paper are two hitherto unpublished hieratic dipinti from the Birth Portico of the Temple of Queen Hatshepsut at Deir el-Bahari.
Mirosław Barwik
doaj +1 more source
Le visite a Padova di Waleria Tarnowska
Perspektywy Kultury, 2023 Nel 1803–1804 Waleria Tarnowska, nata Stroynowska, e suo marito Jan Feliks Tarnowski, viaggiarono attraverso l’Italia. Lo scopo del viaggio era quello di acquistare opere d’arte, che sarebbero dovute diventare la base per la creazione di una collezione ...
Tadeusz Zych
doaj +1 more source
La famiglia di Teodoro Trivulzio a Verona e il ritratto della figlia Giulia del Cavazzola
Studi Veronesi, 2021 Venezia inviò a governare Verona, riconquistata nel 1517, il condottiero milanese Teodoro Trivulzio, cugino del più noto Gian Giacomo detto il Grande. Costui vi rimase fino al 1522 e ne approfittò anche per acquistare estesi possedimenti fra Zevio e Palù,
Bruno Chiappa, Enrico Maria Guzzo
doaj