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International Journal of Disney Studies
The Walt Disney Company has a long, complicated history with the LGBTQ+ community, particularly regarding film representation. There has been much external pressure on Disney to provide better LGBTQ+ depiction, further emphasized with controversies ...
Matt Weaver
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The Walt Disney Company has a long, complicated history with the LGBTQ+ community, particularly regarding film representation. There has been much external pressure on Disney to provide better LGBTQ+ depiction, further emphasized with controversies ...
Matt Weaver
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International Journal of Disney Studies
From 2014 to 2023, The Walt Disney Company launched five princess live-action remakes and two adaptations to update its iconic female characters. In both media discussions and academic literature, these revamped princess productions have been celebrated ...
C. Wang
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From 2014 to 2023, The Walt Disney Company launched five princess live-action remakes and two adaptations to update its iconic female characters. In both media discussions and academic literature, these revamped princess productions have been celebrated ...
C. Wang
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The location of U.S. Latinidad: Stuck in the Middle, Disney, and the in-between ethnicity
, 2020This article explores Disney’s production and circulation of specific and ambiguous Latinidad by focusing on the Disney Channel television series Stuck in the Middle (2016–2018). Bringing together discourses of girlhoods and Latinidad, and elaborating on
Diana Leon-Boys, A. Valdivia
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2021
In 1985, Walt Disney decided to expand its theme parks by creating it s second one outside U.S.A. After Japan, it was time for Europe. France was chosen to be the county where the new park would be built. In order to bring this project in life, they had to take into account the cultural differences between the two continents.
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In 1985, Walt Disney decided to expand its theme parks by creating it s second one outside U.S.A. After Japan, it was time for Europe. France was chosen to be the county where the new park would be built. In order to bring this project in life, they had to take into account the cultural differences between the two continents.
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Disney-Formalism: Rethinking ‘Classic Disney’
Animation, 2010With the release of The Princess and the Frog (Ron Clements and John Musker, 2009) the phrase ‘Classic Disney’ has re-entered popular discussion. Unfortunately, the concept of ‘Classic Disney’ has evolved in recent years, developing from a seemingly straightforward term featured in numerous discussions of Disney, to one which lacks the specificity ...
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Drawing Disney: Analyzing Artistic Reinterpretations of Disney Deaths
OMEGA - Journal of Death and Dying, 2023Disney’s notably traumatic character deaths have been the focus of several academic studies that identify the potential harm of witnessing animated deaths during childhood; however, these studies have almost exclusively examined death images within film without looking to images that exist external to the media texts themselves. This paper
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Mass Communication & Society, 2020
With such an expansive global reach, greater research is needed to evaluate messaging within Disney animated films as it relates to societal implications.
Jessica D. Zurcher +3 more
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With such an expansive global reach, greater research is needed to evaluate messaging within Disney animated films as it relates to societal implications.
Jessica D. Zurcher +3 more
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ACM SIGGRAPH 2019 Production Sessions, 2019
In this production session, VFX Supervisors Robert Legato, ASC and Director of Photography Caleb Deschanel ASC will reveal how they worked with Director Jon Favreau and the VFX and Animation team at MPC Film (Moving Picture Company) to develop a new approach to filmmaking, harnessing the latest filmmaking technologies and creative talent to bring The ...
Rob Legato, Caleb Deschanel
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In this production session, VFX Supervisors Robert Legato, ASC and Director of Photography Caleb Deschanel ASC will reveal how they worked with Director Jon Favreau and the VFX and Animation team at MPC Film (Moving Picture Company) to develop a new approach to filmmaking, harnessing the latest filmmaking technologies and creative talent to bring The ...
Rob Legato, Caleb Deschanel
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Scripting the Way for the 21st-Century Disney Princess in The Princess and the Frog
Women's Studies in Communication, 2019The Princess and the Frog (2009) offered Disney audiences a story unlike any other the animation pioneer had ever told: the tale of its first Black princess.
Kimberly R. Moffitt
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