Using Hearing Aids for Music: A UK Survey of Challenges and Strategies [PDF]
Trends in HearingHearing aids, which are primarily designed to improve the intelligibility of speech, can negatively affect the perception and enjoyment of music. This large-scale survey study, conducted between 2016 and 2018, explored hearing aid use and preference ...
Alinka E. Greasley +6 more
doaj +2 more sources
The First Cadenza Challenge: Perceptual Evaluation of Machine Learning Systems to Improve Audio Quality of Popular Music for Those with Hearing Loss [PDF]
Trends in HearingMusic is central to many people's lives, and hearing loss (HL) is often a barrier to musical engagement. Hearing aids (HAs) help, but their efficacy in improving speech does not consistently translate to music.
Scott Bannister +10 more
doaj +2 more sources
The Musical Reassociation Model (MRM): A Stage-Based Framework for Managing Music-Related Cues and Reclaiming Musical Agency in Substance Use Disorder Recovery [PDF]
Substance Abuse and RehabilitationMoshe BensimonDepartment of Criminology, Bar-Ilan University, Ramat Gan, IsraelCorrespondence: Moshe Bensimon, Department of Criminology, Bar-Ilan University, Max and Anna Webb St, Ramat Gan, 5290002, Israel, Tel +972545301545, Email moshe.bensimon@biu ...
Bensimon M
doaj +2 more sources
PLoS ONEIdeas of temporal distortion prevail in the discourse of flow research, where references are often made to "time flying". Nonetheless, little research has investigated how flow affects time perception in terms of both directionality and surrounding ...
Hannah J Gibbs, Andrea Schiavio
doaj +2 more sources
A digital audio workstation approach for matching the sound quality of speech and music for single-sided deaf patients fit with cochlear implants [PDF]
Frontiers in NeuroscienceIntroductionCochlear implant (CI) patients who are single-sided deaf can match the sound quality of speech presented to their CI ear and speech presented to their normal hearing ear.
Stephen R. Dennison +7 more
doaj +2 more sources
Distortion product otoacoustic emissions in college music majors and nonmusic majors
Noise and Health, 2016 The presence and absence of distortion product otoacoustic emissions (DPOAEs) as well as DPOAE amplitudes were compared between college music majors and a control group of nonmusic majors.
Rebecca L. Warner Henning, Kate Bobholz
doaj +3 more sources
Acoustics, 2022 MPEG-1 Layer 3 (MP3) is one of the most popular compression formats used for sound and especially for music. However, during the coding process, the MP3 algorithm negatively affects the spectral and dynamic characteristics of the audio file being ...
Nikolaos M. Papadakis +2 more
doaj +1 more source
The Cultural Evolution of Distortion in Music (and Other Norms of Mixed Appeal) [PDF]
Philosophical Transactions of the Royal Society B: Biological SciencesPaul E. Smaldino, Gregory A Bryant
exaly +2 more sources
Stripe-Transformer: deep stripe feature learning for music source separation
EURASIP Journal on Audio, Speech, and Music Processing, 2023 Music source separation (MSS) is to isolate musical instrument signals from the given music mixture. Stripes widely exist in music spectrograms, which potentially indicate high-level music information. For example, a vertical stripe indicates a drum time
Jiale Qian, Xinlu Liu, Yi Yu, Wei Li
doaj +1 more source
Goldsmiths Electronic Music Studios: 40 Years [PDF]
, 2008 This year marks the 40th anniversary of the founding of the Electronic Music Studios (EMS) at Goldsmiths, University of London. The 1968 studio placed Goldsmiths at the forefront of such developments in the UK university sector.
Stonehouse, Ian +3 more
core +5 more sources