Results 231 to 240 of about 102,379 (272)
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Distortion of Musical Signals by Means of Multiband Waveshaping

Journal of New Music Research, 2001
In this work we propose a new architecture for musical distortion. WaveShaping (a sound synthesis technique from the mid-late 1970s) is used here as the basic distortion generation element. WaveShaping can easily and precisely generate upper partials from a flat-envelope pure sinusoidal signal. The extent and distribution of the overtones series can be
Pablo Fern�ndez-Cid   +1 more
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Electroacoustic distortions: Multidimensional analysis of hearing aid transduced speech and music

ICASSP '78. IEEE International Conference on Acoustics, Speech, and Signal Processing, 2005
The detrimental effects of electroacoustic distortions on quality judgement of speech and music was investigated using a posteriori techniques of multidimensional scaling. Evaluative data consisted of preference and similarity judgments from pairwise presentation of 12 hearing aids to normal listeners.
A. Yonovitz   +3 more
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Mayhem, Madness and Distorted Mirrors in Herrmann’s Music for Hitchcock’s Psycho

Journal of Film Music, 2022
Bernard Herrmann’s music for Hitchcock’s Psycho plays a crucial role in implementing the relentless move towards mayhem and madness which is characteristic of this film, as well as in creating distorted reflections between sanity and madness. In this article, I claim that the former aspect is expressed by a gradual move from tonal towards “mistuned ...
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Analysis of FM Multipath Distortion using Two-Stage and MUSIC Methods

SAE Technical Paper Series, 2014
<div class="section abstract"><div class="htmlview paragraph">Traditionally, the suitability of wireless terminals for automotive use has been evaluated by conducting repeated driving tests in actual environments. However, this method of evaluation has long presented issues, and the implementation of the method itself is today becoming ...
Satoru Komatsu   +4 more
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Recognition of Music Scores with Non-Linear Distortions in Mobile Devices

Multimedia Tools and Applications, 2017
Optical music recognition (OMR), when the input music score is captured by a handheld or a mobile phone camera, suffers from severe degradation in the image quality and distortions caused by non-planar document curvature and perspective projection.
QuangNhat Vo   +3 more
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Musical molecules: the molecular junction as an active component in audio distortion circuits

Journal of Physics: Condensed Matter, 2016
Molecular junctions that have a non-linear current-voltage characteristic consistent with quantum mechanical tunneling are demonstrated as analog audio clipping elements in overdrive circuits widely used in electronic music, particularly with electric guitars.
Adam Johan, Bergren   +5 more
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A Robust Detector for Distorted Music Staves

2005
In this paper an algorithm for music staves detection is presented. The algorithm bases on horizontal projections in local windows of a score image and farther processing of resulting histograms and their connections. Experiments carried out, proved high efficiency of presented algorithm and its robustness in case of non-ideal staff lines: skew and ...
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System And Methods For Recognizing Sound And Music Signals In High Noise And Distortion

The Journal of the Acoustical Society of America, 2007
A method for recognizing an audio sample locates an audio file that most closely matches the audio sample from a database indexing a large set of original recordings. Each indexed audio file is represented in the database index by a set of landmark timepoints and associated fingerprints.
Avery Li-Chun Wang, Julius O. Smith
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Some Results Concerning the Perception of Musical Distortion in Mistuned Single Sideband Links

IEEE Transactions on Communications, 1975
Tests were performed over a good communications grade single sideband (SSB) channel on the listenability of various types of music under frequency shift distortion up to ± 30 Hz. Sensitivity to this type of distortion depends upon the type of music, and frequency shift should be less than ± 5 Hz to avoid noticeable degradation.
J. Hanson, E. Hall
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Distortion in Music Production

2023
Austin Moore, Gary Bromham
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