Results 241 to 250 of about 978,720 (278)
Some of the next articles are maybe not open access.

Musical molecules: the molecular junction as an active component in audio distortion circuits

Journal of Physics: Condensed Matter, 2016
Molecular junctions that have a non-linear current-voltage characteristic consistent with quantum mechanical tunneling are demonstrated as analog audio clipping elements in overdrive circuits widely used in electronic music, particularly with electric guitars.
Lucas Zeer-Wanklyn   +7 more
openaire   +3 more sources

Enhancing music recognition using deep learning-powered source separation technology for cochlear implant users.

Journal of the Acoustical Society of America
Cochlear implant (CI) is currently the vital technological device for assisting deaf patients in hearing sounds and greatly enhances their sound listening appreciation.
Yuh-Jer Chang   +4 more
semanticscholar   +1 more source

A Robust Detector for Distorted Music Staves

2005
In this paper an algorithm for music staves detection is presented. The algorithm bases on horizontal projections in local windows of a score image and farther processing of resulting histograms and their connections. Experiments carried out, proved high efficiency of presented algorithm and its robustness in case of non-ideal staff lines: skew and ...
openaire   +1 more source

Bridging Paintings and Music - Exploring Emotion based Music Generation through Paintings

arXiv.org
Rapid advancements in artificial intelligence have significantly enhanced generative tasks involving music and images, employing both unimodal and multimodal approaches.
Tanisha Hisariya   +2 more
semanticscholar   +1 more source

Source Separation & Automatic Transcription for Music

arXiv.org
Source separation is the process of isolating individual sounds in an auditory mixture of multiple sounds [1], and has a variety of applications ranging from speech enhancement and lyric transcription [2] to digital audio production for music ...
Bradford Derby   +4 more
semanticscholar   +1 more source

Fréchet Audio Distance: A Reference-Free Metric for Evaluating Music Enhancement Algorithms

Interspeech, 2019
We propose the Fréchet Audio Distance (FAD), a novel, reference-free evaluation metric for music enhancement algorithms. We demonstrate how typical evaluation metrics for speech enhancement and blind source separation can fail to accurately measure the ...
Kevin Kilgour   +3 more
semanticscholar   +1 more source

Some Results Concerning the Perception of Musical Distortion in Mistuned Single Sideband Links

IEEE Transactions on Communications, 1975
Tests were performed over a good communications grade single sideband (SSB) channel on the listenability of various types of music under frequency shift distortion up to ± 30 Hz. Sensitivity to this type of distortion depends upon the type of music, and frequency shift should be less than ± 5 Hz to avoid noticeable degradation.
E. Hall, J. Hanson
openaire   +2 more sources

A novel W-MUSIC algorithm for GPR target detection in noisy and distorted signals

2009 IEEE Radar Conference, 2009
When applied to ground penetrating radar (GPR), the multiple signal classification (MUSIC) algorithm is an important frequency estimation method as it can detect very closely spaced targets, particularly when one of the target responses is substantially less than another. The MUSIC algorithm however must be seeded with the number of targets to find and
Steve R. Pennock   +2 more
openaire   +2 more sources

Measuring and predicting the quality of nonlinearly distorted music and speech as perceived by hearing-impaired people.

The Journal of the Acoustical Society of America, 2010
The goals of this study were to characterize and model the perception of nonlinearly distorted speech and music by hearing-impaired listeners. Hearing-impaired listeners were asked to rate the perceived quality of speech and music that had been subjected to various forms of nonlinear distortion, some of which are inherent to certain hearing aid designs
Brian C. J. Moore   +2 more
openaire   +2 more sources

The effects of ensemble singing on heaviness in metal music: Revisiting a systematic approach

Metal Music Studies
This article explores how ensemble vocals contribute to the perception of heaviness in metal music. It argues that heaviness is not solely an instrumental attribute but may also be influenced by vocal techniques, arrangement and production.
Ruth Barratt-Peacock, Jan Herbst
semanticscholar   +1 more source

Home - About - Disclaimer - Privacy